首页--文学论文

真实与虚构--库切小说化自传三部曲的艺术特色研究

摘要第4-5页
Abstract第5-6页
Introduction第8-19页
Chapter One Coetzee's Concepts of Autobiography Creation第19-31页
    1. The Literature Genre of Fictionalized Autobiography第20-25页
        1.1 Fiction and Autobiography第20-24页
        1.2 Autobiography and Fictionalized Autobiography第24-25页
    2. Coetzee's Concepts on History第25-26页
    3. Coetzee's Concepts on Autobiography第26-31页
        3.1 Authenticity in Coetzee's Autobiography Writing第27-28页
        3.2 Fictionality in Coetzee's Autobiography Writing第28-31页
Chapter Two The Narrative Strategies in Coetzee's Fictionalized Autobiography Trilogy第31-46页
    1. Narrative Strategies in Boyhood and Youth第31-38页
        1.1 Narration of the Present Tense第32-34页
        1.2 Narration of the Third Person and Its Rhetorical Effects第34-38页
    2. The Narrative Strategies in Summertime第38-46页
        2.1 Independent and Multiple Narrative Perspectives第38-40页
        2.2 Intensified Female Narrative Voices第40-42页
        2.3 Polyphonic Narrative Relationships第42-46页
Chapter Three Intertextuality in Coetzee's Fictionalized Autobiography Trilogy第46-55页
    1. Theme Intertextuality in Boyhood and Youth第46-51页
        1.1 Identity Confusion第47-49页
        1.2 Introspection and Criticism for Rationalism第49-51页
    2. Intertextuality in Summertime第51-55页
        2.1 Macroscopic Intertextuality in Summertime第51-54页
        2.2 Microcosmic Intertextuality in Summertime第54-55页
Conclusion第55-57页
Bibliography第57-61页
Acknowledgements第61-62页
在读期间发表的学术论文及研究成果第62页

论文共62页,点击 下载论文
上一篇:性别“越界”与精神突围--酷儿理论视域下的卡森·麦卡勒斯小说研究
下一篇:逾越之痛:《裸体午餐》的生命政治