| 摘要 | 第5-6页 |
| Abstract | 第6-7页 |
| Chapter One Introduction | 第10-18页 |
| 1.1 Research Background of the Study | 第10-11页 |
| 1.2 Literature Review | 第11-15页 |
| 1.3 Significance of the Research | 第15-16页 |
| 1.4 Organization of the Thesis | 第16-18页 |
| Chapter Two Oscar Wilde's Aesthetic Theories | 第18-28页 |
| 2.1 The Autonomy of Art | 第18-22页 |
| 2.1.1 Beauty as the Sole Purpose of Art | 第19页 |
| 2.1.2 Form as the Essence of Art | 第19-21页 |
| 2.1.3 The Importance of Lying | 第21页 |
| 2.1.4 The Transformation of Life into Art | 第21-22页 |
| 2.2 Aesthetic Image-Wildean Dandy | 第22-23页 |
| 2.3 Individualism | 第23-25页 |
| 2.4 New Hedonism | 第25-28页 |
| Chapter Three The Relationship between Aestheticism and Morality in Oscar Wilde's Comedies | 第28-55页 |
| 3.1 The Contradictriness in Oscar Wilde's Attitude towards Art and Morality | 第28-30页 |
| 3.2 Wilde's Aestheticism-The Subversion of the Conventional Victorian Morality | 第30-55页 |
| 3.2.1 The Transformation of Life into Art-The Satire of Victorian Hypocrisy | 第30-35页 |
| 3.2.1.1 Identity Moulded by Artistic Creation | 第31-32页 |
| 3.2.1.2 The Lying of Art | 第32-35页 |
| 3.2.2 Wildean Dandies-The Rebellion against Victorian Philistinism | 第35-42页 |
| 3.2.2.1 The Practitioner of Beauty | 第37-40页 |
| 3.2.2.2 The Mocker of Victorian Philistinism | 第40-42页 |
| 3.2.3 Individualism-The Redemption of Repressive Humanity | 第42-49页 |
| 3.2.3.1 The Multiplicity of Individuality | 第43-47页 |
| 3.2.3.2 Self-realization | 第47-49页 |
| 3.2.4 New Hedonism-The Escape from Victorian Utilitarianism | 第49-55页 |
| 3.2.4.1 Sensual Enjoyment | 第50-51页 |
| 3.2.4.2 Momentary Experience | 第51-55页 |
| Chapter Four Conclusion | 第55-59页 |
| 4.1 Conclusion of the Thesis | 第55-58页 |
| 4.2 Suggestion for Further Research | 第58-59页 |
| Bibliography | 第59-63页 |
| Acknowledgements | 第63页 |
