| Introduction | 第1-15页 |
| Chapter One The Tension Between Two Worlds | 第15-25页 |
| ·A Story Concerning Individual Freedom | 第17-19页 |
| ·Charles Smithson in the Existential Predicament | 第19-25页 |
| Chapter Two Mystification: The Way to Freedom | 第25-45页 |
| ·Mystery: From the Prison of Known To the Dark Unknown | 第26-27页 |
| ·Sarah's Mystification from the Triple-layering of Point of View | 第27-45页 |
| ·The Narrator's Outside Point of View: The Deprivation of Narrative Authority | 第29-33页 |
| ·The Other Characters' Unreliable Gossips: Mystery as a Weapon to Subvert the Tradition | 第33-34页 |
| ·Charles's Limited Point of View: From the Known to the Unknown | 第34-39页 |
| ·A Swarm of Mystery: The Subversion of Charles's Fixed Knowledge | 第39-45页 |
| Chapter Three Freedom from Fictionality | 第45-60页 |
| ·ATale within a Tale: Sarah's Voice in the Narrator's Self-reflexive Narrative | 第46-51页 |
| ·Sarah's Fiction-making vs. Narrator's Arrangement of Three Endings | 第51-60页 |
| Chapter Four "The French Lieutenant's Woman": An Undefinable Woman with Her Self | 第60-71页 |
| ·Sarah's Resistance to be Read | 第61-64页 |
| ·Fiction-making as a Way to Freedom | 第64-66页 |
| ·Fowles's Feminist Ideas Represented in Sarah | 第66-71页 |
| Conclusion | 第71-76页 |
| Bibliography | 第76-79页 |
| 作者在读期间科研成果简介 | 第79-80页 |
| 声明 | 第80-81页 |
| Acknowledgements | 第81页 |
