| Acknowledgements | 第1-4页 |
| Abstract | 第4-6页 |
| 内容摘要 | 第6-8页 |
| Introduction | 第8-13页 |
| Chapter Ⅰ Waiting for Godot, The Bus Stop and the Playwrights | 第13-20页 |
| 1 Beckett and Waiting for Godot | 第13-15页 |
| 2 Introduction of Beckett and Waiting for Godot to China | 第15-17页 |
| 3 Gao Xingjian and The Bus Stop | 第17-20页 |
| Chapter Ⅱ The Comparison Between Motifs-a Pair of Opposites | 第20-28页 |
| 1 Waiting and Hope Deferred in Waiting | 第20-24页 |
| 2 Drifting as Opposite Indications | 第24-28页 |
| Chapter Ⅲ The Comparison Between Dramatic Devices | 第28-40页 |
| 1 Common Devices and Their Diversified Applications | 第28-37页 |
| ·Symbolism | 第28-31页 |
| ·Absurdism | 第31-35页 |
| ·Abstraction of Art | 第35-37页 |
| 2 Innovations in The Bus Stop | 第37-40页 |
| Conclusion | 第40-46页 |
| Notes | 第46-50页 |
| Bibliography | 第50-53页 |
