| 中文摘要 | 第1-3页 |
| Abstract | 第3-4页 |
| List of Figures | 第4-5页 |
| List of Tables | 第5-9页 |
| Chapter One Introduction | 第9-16页 |
| ·Research background and purpose | 第9-10页 |
| ·Rationales for the present research | 第10-13页 |
| ·Practical rationale | 第10-12页 |
| ·Theoretical rationale | 第12-13页 |
| ·Research Questions | 第13-14页 |
| ·Organization of the thesis | 第14-15页 |
| ·Summary | 第15-16页 |
| Chapter 2 Literature Review | 第16-59页 |
| ·Overview of Multimodal Discourse Analysis | 第16-21页 |
| ·Introduction | 第16-17页 |
| ·Multimodality and Multimodal Discourse Analysis | 第17-20页 |
| ·SFL and Social Semiotic foundation | 第20-21页 |
| ·The Western Studies of MDA | 第21-23页 |
| ·The Domestic Studies of MDA | 第23-24页 |
| ·Visual Grammar | 第24-42页 |
| ·The Three Semiotic School's influence on the field of visual analysis | 第24页 |
| ·Kress & Van Leeuwen's(1996,2006)theory of visual grammar | 第24-27页 |
| ·The Representational Meaning | 第27-29页 |
| ·The Interactive Meaning | 第29-32页 |
| ·The Compositional Meaning | 第32-35页 |
| ·The Modality Meaning of Image | 第35-41页 |
| ·Meaning of Color | 第41-42页 |
| ·The Framework by O'Halloran(2004) | 第42-49页 |
| ·The Framework by Baldry and Thibault(2000,2004) | 第49-53页 |
| ·Film Theory | 第53-57页 |
| ·Summary | 第57-59页 |
| Chapter 3 A Proposed Model for the Present Study | 第59-75页 |
| ·Introduction | 第59-60页 |
| ·Theoretical foundations for the proposed model | 第60-66页 |
| ·Visual Grammar by Kress and Van Leeuwen | 第60-61页 |
| ·O'Halloran's framework(2004) | 第61-64页 |
| ·Baldry and Thibault's framework(2000,2004) | 第64-66页 |
| ·A proposed model for the present study | 第66-69页 |
| ·Research design | 第69-74页 |
| ·A Qualitative approach to Research Questions | 第69-70页 |
| ·Data collection and selection | 第70-74页 |
| ·Summary | 第74-75页 |
| Chapter 4 Multimodal Discourse Analysis of the Movie The Da Vinci Code | 第75-98页 |
| ·Introduction to the movie The Da Vinci Code | 第75-77页 |
| ·Shot One | 第77-81页 |
| ·The Original Story of the Novel in Shot One---The Lecture of Langdon | 第77-78页 |
| ·MDA of the Case | 第78-81页 |
| ·Shot Two---Death of the curator of the Louvre | 第81-86页 |
| ·The Original Story of the Novel in Shot Two | 第81-83页 |
| ·MDA of the Case | 第83-86页 |
| ·Shot Three---The Secret of the Last Supper | 第86-91页 |
| ·The Original Story of the Novel in Shot Three | 第86-88页 |
| ·MDA of the Case | 第88-91页 |
| ·Shot Four---Telling the secret to Teabing | 第91-96页 |
| ·The Original Story of the Novel in Shot Four | 第91-93页 |
| ·MDA of the Case | 第93-96页 |
| ·Summary | 第96-98页 |
| Chapter 5 Conclusion | 第98-100页 |
| ·Major findings and Major contributions of the present study | 第98-99页 |
| ·Limitations and Suggestions for further studies | 第99-100页 |
| Bibliography | 第100-106页 |
| Acknowledgement | 第106-107页 |
| 攻读学位期间发表论文 | 第107-108页 |
