| 摘要 | 第7-8页 |
| Abstract | 第8-9页 |
| Chapter One Introduction | 第10-14页 |
| 1.1 Research background | 第10-11页 |
| 1.2 Research significance | 第11页 |
| 1.3 Research questions | 第11-12页 |
| 1.4 Research methods | 第12页 |
| 1.5 Thesis structure | 第12-14页 |
| Chapter Two Literature Review | 第14-26页 |
| 2.1 Previous research on Breakfast of Champions | 第14-18页 |
| 2.1.1 Previous research on Breakfast of Champions abroad | 第14-16页 |
| 2.1.2 Previous research on Breakfast of Champions in China | 第16-18页 |
| 2.2 Research review of Player Piano | 第18-20页 |
| 2.2.1 Research review of Player Piano abroad | 第18-19页 |
| 2.2.2 Research review of Player Piano in China | 第19-20页 |
| 2.3 Previous studies of ecological postmodernism | 第20-26页 |
| 2.3.1 Previous studies of ecological postmodernism abroad | 第21页 |
| 2.3.2 Previous studies of ecological postmodernism in China | 第21-26页 |
| Chapter Three Theoretical Basis | 第26-34页 |
| 3.1 Criticism of modernity | 第26-28页 |
| 3.2 Negation of deconstructive postmodernism | 第28-30页 |
| 3.3 Concern for the ecology | 第30-33页 |
| 3.4 Summary | 第33-34页 |
| Chapter Four Efforts to Eliminate the Crisis of Modernity | 第34-58页 |
| 4.1 Mechanical worldview in Player Piano | 第34-48页 |
| 4.1.1 Technological constraint over human beings | 第35-42页 |
| 4.1.2 Technological constraint over society | 第42-48页 |
| 4.2 Economic-centralism in Breakfast of Champions | 第48-57页 |
| 4.2.1 Human spiritual crisis under the economic-centralism | 第48-53页 |
| 4.2.2 Cultural crisis under the economic-centralism | 第53-57页 |
| 4.3 Summary | 第57-58页 |
| Chapter Five The Resurgence of the Real from the Ecological View | 第58-68页 |
| 5.1 Escaping from the place in Player Piano | 第58-62页 |
| 5.2 Nature ecology in Breakfast of Champions | 第62-67页 |
| 5.3 Summary | 第67-68页 |
| Chapter Six Conclusion | 第68-72页 |
| 6.1 Major findings | 第68-69页 |
| 6.2 Limitations | 第69页 |
| 6.3 Suggestions for future research | 第69-72页 |
| Bibliography | 第72-76页 |
| Appendix | 第76-78页 |
| Acknowledgements | 第78页 |
