| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6页 |
| 摘要 | 第7-8页 |
| CONTENTS | 第8-9页 |
| CHAPTER ONE INTRODUCTION | 第9-21页 |
| 1.1 An introduction of Sarah Waters’ works and related literary reviews | 第9-15页 |
| 1.2 A Review of the theories of transgression and the structure and aim of this dissertation | 第15-21页 |
| CHAPTER TWO GENDER AND SEXUALITY TRANSGRESSION IN AFFINITY AND FINGERSMITH | 第21-46页 |
| 2.1 Plot Introduction of the two novels: Similar Pattern of Transgression | 第21-24页 |
| 2.2 Apparent Conformity: Confirmation of the Victorian Gender and Sexual Norm | 第24-32页 |
| 2.2.1 Conformity in Affinity | 第24-29页 |
| 2.2.2 Conformity in Fingersmith | 第29-32页 |
| 2.3 Secret Subversion: Means of Transgression | 第32-46页 |
| 2.3.1 Spiritualism in Affinity | 第32-38页 |
| 2.3.2 Pornography in Fingersmith | 第38-46页 |
| CHAPTER THREE SPACE TRANSGRESSION IN AFFINITY AND FINGERSMITH | 第46-64页 |
| 3.1 The spatial boundary of prison and madhouse | 第47-55页 |
| 3.2 Domestic spaces in Affinity and Fingersmith | 第55-64页 |
| CONCLUSION | 第64-66页 |
| WORKS CITED | 第66-69页 |
