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从自然赞歌到生态预警《少雨的土地》与《寂静的春天》比较研究--A Comparative Study of The Land of Little Rain And Silent Spring

Abstract第5-7页
摘要第8-13页
Chapter 1 Introduction第13-25页
    1.1 The Origin and Development of Nature Writing第13-15页
    1.2 Mary Austin, Rachel Carson and Their Masterpieces第15-19页
    1.3 Literature Review第19-22页
    1.4 Structure of the Thesis第22-25页
Chapter 2 Ecological Themes in the Two Novels第25-42页
    2.1 Different Ecological Consciousness第28-36页
        2.1.1 Admiration for Natural Landscape in The Land of Little Rain第28-34页
        2.1.2 Concern about Ecological Disaster in Silent Spring第34-36页
    2.2 Different Ways to Save Human from the Plight第36-42页
        2.2.1 Man’s Return to Nature第36-40页
        2.2.2 Man’s Preservation of Nature第40-42页
Chapte3 Skills of Expression in the Two Novels第42-57页
    3.1 Language Styles of Austin and Carson第42-50页
        3.1.1 Strong Tinge of Romanticism—The Land of Little Rain第42-44页
        3.1.2 Combination of Science and Art—Silent Spring第44-50页
    3.2 Women Images in Austin’s and Carson’s Nature Writing第50-57页
        3.2.1 Power of Women in The Land of Little Rain第50-53页
        3.2.2 Women’s Rebellion in Silent Spring第53-57页
Chapter 4 Origins of Ecological Ideas in the Two Novels第57-64页
    4.1 The Origins of Austin’s Ecological Ideas第57-60页
        4.1.1 Influence of American Transcendentalism on Austin第57-58页
        4.1.2 Influence of American Indian Culture on Austin第58-60页
    4.2 The Origins of Carson’s Ecological Ideas第60-64页
        4.2.1 Reverence for Life第60-61页
        4.2.2 Ecological Holism第61-64页
Chapter 5 Conclusion第64-66页
Works Cited第66-67页
Bibliography第67-70页
Acknowledgements第70页

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