| Abstract | 第4-5页 |
| 摘要 | 第6-10页 |
| Introduction | 第10-22页 |
| 1 An Introduction to Maxine Hong Kingston and The Woman Warrior | 第10-12页 |
| 2 Literature Review | 第12-21页 |
| 3 The Significance of the Study | 第21-22页 |
| Chapter One Theoretical Aspects of Bakhtin’s Polyphonic Novel Theory | 第22-29页 |
| 1.1 Main Concepts of Bakhtin’s Polyphonic Novel Theory | 第22-24页 |
| 1.2 The Features of Polyphonic Novel | 第24-26页 |
| 1.3 The Forms of Polyphony in Polyphonic Novel | 第26-29页 |
| Chapter Two Reality and Ideal in Great Dialogues between Kingston andRewritten Characters | 第29-37页 |
| 2.1 Racial and Gender Discrimination in Great Dialogue between Fa Mulan andKingston | 第29-32页 |
| 2.2 The Ideal of Cultural Integration in Great Dialogue between Ts’ai Yen andKingston | 第32-37页 |
| Chapter Three Americanization in Great Dialogues between the Characters | 第37-47页 |
| 3.1 Americanization in Great Dialogue between the Mother and the Daughter | 第37-42页 |
| 3.2 Americanization in Great Dialogue between Brave Orchid and Moon Orchid | 第42-47页 |
| Chapter Four Kingston’s Self-consciousness Displayed by Microdialogue | 第47-56页 |
| 4.1 Racial and Gender Discrimination Displayed by Microdialogue | 第47-50页 |
| 4.2 Positive Attitude towards Americanization Displayed by Microdialogue | 第50-56页 |
| Conclusion | 第56-58页 |
| References | 第58-60页 |
| Acknowledgements | 第60页 |
