| Acknowledgements | 第5-6页 |
| 中文摘要 | 第6-8页 |
| Abstract | 第8-9页 |
| 1. Introduction | 第11-20页 |
| 1.1 Introduction to Graham Greene and his works | 第11-15页 |
| 1.2 Literature review | 第15-17页 |
| 1.3 Focus and structure of the thesis | 第17-20页 |
| 2. Parody of Early British Spy Fiction in Narrative Mode | 第20-27页 |
| 2.1 Adherence to omniscient narration | 第20-21页 |
| 2.2 Deviation from romanticism | 第21-25页 |
| 2.3 Ridicule on encode/decode structure | 第25-27页 |
| 3. Parody of Early British Spy Fiction in Characterization | 第27-35页 |
| 3.1 Unorthodox British secret agents | 第27-31页 |
| 3.2 Foreign villains with a tinge of humanity | 第31-35页 |
| 4. Parody of Early British Spy Fiction in Plot | 第35-40页 |
| 4.1 Sustained atmosphere of suspense and thrill | 第35-36页 |
| 4.2 Occurrence of violence and deaths | 第36-38页 |
| 4.3 Comic and absurd events | 第38-40页 |
| 5. Implications by Use of Parody | 第40-48页 |
| 5.1 Transformation in the political allegiance | 第40-42页 |
| 5.2 Blurring of fact and fiction during the Cold War | 第42-45页 |
| 5.3 Demystification of real intelligence operation | 第45-48页 |
| 6. Conclusion | 第48-50页 |
| Bibliography | 第50-52页 |
