| 中文摘要 | 第1-5页 |
| ABSTRACT | 第5-8页 |
| CHAPTER ONE INTRODUCTION | 第8-13页 |
| ·RESEARCH BACKGROUND | 第8-10页 |
| ·Research Motivation | 第8-9页 |
| ·Song Ci,the image and Cognitive Linguistics | 第9-10页 |
| ·RATIONALE OF THE RESEARCH | 第10-11页 |
| ·PURPOSE OF THE RESEARCH | 第11-12页 |
| ·ORGANIZATION OF THE THESIS | 第12-13页 |
| CHAPTER TWO IMAGES AND SONG CI BY LI QINGZHAO | 第13-18页 |
| ·DEFINITION OF THE IMAGE | 第13-15页 |
| ·CHINESE CLASSICAL POETRY—SONG CIAND LI QINGZHAO | 第15-16页 |
| ·THE PREVIOUS RESEARCH ON THE IMAGE AND SONG CI BY LI QINGZHAO | 第16-18页 |
| CHAPTER THREE CONCEPTUAL INTEGRATION THEORY | 第18-32页 |
| ·IMPORTANCE OF CIT ON MAJOR IMAGES IN SONG CI BY LI QINGZHAO | 第18-19页 |
| ·DEVELOPMENT OF THE CONCEPTUAL INTEGRATION THEORY | 第19-22页 |
| ·A DESCRIPTION OF SOME KEY TERMS | 第22-26页 |
| ·Mental Space and Cognitive Mechanisms | 第22-25页 |
| ·Blending Process | 第25-26页 |
| ·VITAL RELATIONS | 第26-27页 |
| ·NETWORK MODEL OF CONCEPTUAL INTEGRATION THEORY | 第27-30页 |
| ·Simplex Networks | 第28页 |
| ·Mirror Networks | 第28-29页 |
| ·Single-scope Networks | 第29页 |
| ·Double-scope Networks | 第29-30页 |
| ·SUMMARY | 第30-32页 |
| CHAPTER FOUR CONCEPTUAL INTEGRATION NETWORKS ON MAJOR IMAGES IN SONG CI BY LI QINGZHAO | 第32-52页 |
| ·BLENDING OF IMAGES IN READER'S INTEGRATION PROCESS | 第32-33页 |
| ·THE CLASSIFICATION OF MAJOR IMAGES IN THIS STUDY | 第33-35页 |
| ·CASE STUDY | 第35-52页 |
| ·Mirror Networks | 第35-38页 |
| ·Single-scope Networks | 第38-44页 |
| ·Double-scope Networks | 第44-52页 |
| CHAPTER FIVE CONCLUSION | 第52-54页 |
| ·SUMMARY OF THE THESIS | 第52-53页 |
| ·LIMITATIONS OF THE STUDY AND IMPLICATIONS FOR THE FURTHER RESEARCH | 第53-54页 |
| ACKNOWLEDGEMENTS | 第54-55页 |
| REFERENCES | 第55-58页 |
| APPENDIX | 第58-60页 |
| APPENDIX 1 | 第58-59页 |
| APPENDIX 2 | 第59-60页 |
