| Abstract | 第4页 |
| 摘要 | 第5-8页 |
| Introduction | 第8-20页 |
| 1.1 Angela Carter and The Passion of New Eve | 第8-12页 |
| 1.2 Literature Review of The Passion of New Eve | 第12-19页 |
| 1.3 The Significance of this Thesis | 第19-20页 |
| Chapter One M. M. Bakhtin and His Carnival Theory | 第20-26页 |
| 1.1 The Origin and Development of the Carnival | 第20-21页 |
| 1.2 Carnival and Carnivalized Literature | 第21-22页 |
| 1.3 The Important Features of Carnivalized Literature | 第22-26页 |
| Chapter Two Bakhtin’s Carnival Duality in The Passsion of New Eve | 第26-33页 |
| 2.1 Carnival Duality of Death and Rebirth | 第26-28页 |
| 2.2 Carnival Duality of Crowning and Decrowning | 第28-31页 |
| 2.3 Carnival Duality of Obedience and Subversion | 第31-33页 |
| Chapter Three Carnivalized Worlds in The Passion of New Eve | 第33-41页 |
| 3.1 The Chaotic New York City | 第33-34页 |
| 3.2 The Utopian Female City Beulah | 第34-38页 |
| 3.2.1 The Grotesque Image of Holy Mother | 第35-36页 |
| 3.2.2 Carnival Time and Space | 第36-38页 |
| 3.3 The Collapsed Zero’s Domain | 第38-41页 |
| Chapter Four Carnivalized Ways of Expressions | 第41-47页 |
| 4.1 Carnivalized Language | 第41-43页 |
| 4.1.1 Obscene Descriptions | 第41-42页 |
| 4.1.2 Abuse Words | 第42-43页 |
| 4.2 Carnivalized Parody | 第43-47页 |
| 4.2.1 Leilah-the Parody of Biblical Delilah | 第43-45页 |
| 4.2.2 New Eve-the Parody of Biblical Eve | 第45-47页 |
| Conclusion | 第47-49页 |
| Bibliography | 第49-52页 |
| Acknowledgements | 第52页 |
