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戏剧家肖恩·奥凯西“都柏林三部曲”中“丑陋爱尔兰”形象研究

摘要第5-7页
ABSTRACT第7-8页
Chapter 1 Introduction第10-16页
    1.1 Research Background第10页
    1.2 Literature Review第10-13页
    1.3 Significance and Methods of the Study第13-14页
    1.4 Outline of the Thesis第14-16页
Chapter 2 The Hypocritical Irish第16-29页
    2.1 Deceptive Images in The Shadow of a Gunman第16-19页
    2.2 Artificial Images in Juno and the Paycock第19-23页
    2.3 False Images in The Plough and the Stars第23-29页
Chapter 3 The Timid Irish第29-38页
    3.1 Shivering Images in The Shadow of a Gunman第29-32页
    3.2 Cowardly Images in Juno and the Paycock第32-34页
    3.3 Craven Images in The Plough and the Stars第34-38页
Chapter 4 The Aggressive Irish第38-47页
    4.1 Combative Images in The Shadow of a Gunman第38-40页
    4.2 Aggressive Images in Juno and the Paycock第40-43页
    4.3 Aggressive Images in The Plough and the Stars第43-47页
Chapter 5 O’ Casey’s Deep Thoughts of Shaping the Ugly Irish Images第47-53页
    5.1 The Alienation of the Colonial Rule and Capitalism in Irish第47-51页
        5.1.1 Concepts of Alienation第47-49页
        5.1.2 Alienation of British’s Dominance and Irish’s National Movements第49-50页
        5.1.3 Alienation of Capitalism in Irish第50-51页
    5.2 O’ Casey’s Humanitarianism Care to the Working Class第51-53页
Chapter 6 Conclusion第53-55页
Acknowledgements第55-56页
References第56-59页
Research Results Obtained During the Study for Master Degree第59-60页

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