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奥古斯特·威尔逊戏剧中的文化记忆

摘要第5-6页
Abstract第6-7页
Introduction第10-17页
    0.1 Introduction to August Wilson and His Works第10-11页
    0.2 Literature Review第11-17页
        0.2.1 Literature Review Abroad第11-13页
        0.2.2 Literature Review at Home第13-17页
Chapter One The Theories of Cultural Memory第17-22页
    1.1 Halbwachs’ Theory of Collective Memory第17-19页
    1.2 Assman’s Theory of Cultural Memory第19-20页
    1.3 The Concepts of Collective Memory and Cultural Memory第20-22页
Chapter Two The Representation of Cultural Memory in Wilson’s Plays第22-31页
    2.1 Forgetting the Past: Loss of Cultural Memory第22-24页
    2.2 Retrieving Cultural Memory through Socialization第24-27页
        2.2.1 Loomis’ Memory of Enslavement第24-25页
        2.2.2 The Charles’ Family Memory第25-27页
    2.3 Constructing the Cultural Memory of City of Bones第27-31页
        2.3.1 City of Bones as the Myth of Origin第27-29页
        2.3.2 The Transmission of Cultural Memory第29-31页
Chapter Three The Strategies of Constructing Cultural Memory第31-40页
    3.1 The“Spatial Frames”of Cultural Memory in Wilson’s Plays第31-35页
        3.1.1 The Middle Passage and the South第31-34页
        3.1.2 The Meaningful Objects第34-35页
    3.2 Aunt Ester and Bynum as Memory Bearers第35-37页
    3.3 The Blues that Sings the Cultural Memory of African Americans第37-40页
Chapter Four The Roles of Cultural Memory in Wilson’s Plays第40-51页
    4.1 Representing the Miserable History of African Americans第40-42页
        4.1.1 Slavery and Slave Trade as“Loud Talking”第40-41页
        4.1.2 The Memory of the Civil War第41-42页
        4.1.3 The Memory of the Great Migration第42页
    4.2 Solving Identity Crisis of African Americans第42-47页
        4.2.1 Cultural Memory as a Way of Reconnecting with the Community第43-45页
        4.2.2 Cultural Memory as a Starting Place in the World第45-46页
        4.2.3 Cultural Memory as a Way of Inheriting Ancestral Heritage第46-47页
    4.3 Cultural Memory and Group Identity第47-51页
Conclusion第51-53页
Works Cited第53-59页
Publications第59-60页
Acknowledgements第60页

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