| ACKNOWLEDGEMENTS | 第3-4页 |
| ABSTRACT | 第4-5页 |
| 摘要 | 第6-9页 |
| Introduction | 第9-12页 |
| Chapter One Literature Review | 第12-17页 |
| 1.1 Literature Review Abroad | 第12-14页 |
| 1.2 Literature Review at Home | 第14-15页 |
| 1.3 Significance of this Thesis | 第15-17页 |
| Chapter Two William Carlos Williams and His Objectivist Poetics | 第17-30页 |
| 2.1 Williams' Charge for "New Measures" | 第18-22页 |
| 2.2 From Pound's Imagism to Williams' Objectivist Poetics | 第22-27页 |
| 2.3 Williams' Influence Upon Philip Whalen | 第27-30页 |
| Chapter Three The Representation of Williams' Objectivist Poetics | 第30-58页 |
| 3.1 Sincerity: Experiencing the Real | 第30-47页 |
| 3.1.1 "No Ideas But in Things" | 第31-37页 |
| 3.1.2 The Reality of Haiku | 第37-43页 |
| 3.1.3 Live American Speech | 第43-47页 |
| 3.2 Objectification: Whalen's Visual Poetry | 第47-58页 |
| 3.2.1 Preliminary Analysis of Visual Poetry | 第48-50页 |
| 3.2.2 Whalen's "Panting" Visual Poetry | 第50-53页 |
| 3.2.3 Whalen's Semantic Iconic Poetry | 第53-58页 |
| Chapter Four The Furtherance of Williams' Objectivist Poetics | 第58-104页 |
| 4.1 From Objectivist Poetics to Zen Poetics | 第59-78页 |
| 4.1.1 Oneness of Man and Nature | 第60-66页 |
| 4.1.2 A Selfless State | 第66-72页 |
| 4.1.3 Zen Epiphany | 第72-78页 |
| 4.2 A Deep Preoccupation with Eastern World | 第78-92页 |
| 4.2.1 The Pursuit of Chinese Poetics | 第80-84页 |
| 4.2.2 Japanese Zen Aesthetics | 第84-89页 |
| 4.2.3 Mahayana Buddhist Images | 第89-92页 |
| 4.3 Whalen's Language Poems | 第92-104页 |
| 4.3.1 Dissection and Articulation | 第93-95页 |
| 4.3.2 Fragmentation | 第95-100页 |
| 4.3.3 Signs and Modern Art's Features | 第100-104页 |
| Conclusion | 第104-106页 |
| Works Cited | 第106-111页 |
| Appendix: The Following Translations of Philip Whalen's Poems by the Author of this Thesis | 第111-141页 |
| 攻读学位期间发表的学术论文目录 | 第141-143页 |
