| Acknowledgements | 第1-4页 |
| 摘要 | 第4-6页 |
| Abstract | 第6-10页 |
| Chapter One Introduction | 第10-19页 |
| ·Biography of Kazuo Ishiguro | 第10-12页 |
| ·Overview of Kazuo Ishiguro’s Early Fictions | 第12-17页 |
| ·Thesis Structure | 第17-19页 |
| Chapter Two Literature Review | 第19-25页 |
| ·Researches Abroad | 第19-21页 |
| ·Researches at Home | 第21-23页 |
| ·The Significance of This Study | 第23-25页 |
| Chapter Three Narrative Theory | 第25-30页 |
| ·Overview of the Narrative Theory | 第25-27页 |
| ·The Narratology of Gérard Genette | 第27-30页 |
| Chapter Four Narrator | 第30-39页 |
| ·The Heterodiegetic Narrator and the Homodiegetic Narrator in Kazuo Ishiguro’sEarly Fictions | 第31-34页 |
| ·The Extradiegetic Narrator and the Intradiegetic Narrator in Kazuo Ishiguro’sEarly Fictions | 第34-39页 |
| Chapter Five Narrative Time | 第39-53页 |
| ·Narrative Order in Kazuo Ishiguro’s Early Fictions | 第40-44页 |
| ·Temporal Analepses in A Pale View of Hills and An Artist of the FloatingWorld | 第40-42页 |
| ·Temporal Prolepses in A Pale View of Hills and An Artist of the FloatingWorld | 第42-44页 |
| ·Narrative Duration in Kazuo Ishiguro’s Early Fictions | 第44-47页 |
| ·Summary in A Pale View of Hills and An Artist of the Floating World | 第44-46页 |
| ·Ellipsis in A Pale View of Hills and An Artist of the Floating World | 第46-47页 |
| ·Narrative Frequency in Kazuo Ishiguro’s Early Fictions | 第47-53页 |
| ·Narrating n Times What Happened n Times in A Pale View of Hills and AnArtist of the Floating World | 第48-50页 |
| ·Narrating n Times What Happened Once in A Pale View of Hills and AnArtist of the Floating World | 第50-53页 |
| Chapter Six Narrative Discourse | 第53-60页 |
| ·Direct Speech and Free Direct Speech in Kazuo Ishiguro’s Early Fictions | 第54-57页 |
| ·Indirect Speech and Free Indirect Speech in Kazuo Ishiguro’s Early Fictions | 第57-60页 |
| Chapter Seven Conclusion | 第60-63页 |
| Works Cited | 第63-65页 |
