| 摘要 | 第1-4页 |
| ABSTRACT | 第4-8页 |
| INTRODUCTION | 第8-14页 |
| CHAPTER ONE A MULTI-DIMENSIONAL REPRESENTATION OF CHINESE IMAGES | 第14-33页 |
| ·HISTORICAL FIGURES IN REALITY: THE UTOPIA | 第14-19页 |
| ·The Chinese American Heroine Fa Mu Lan | 第14-16页 |
| ·The Song of Ch’u Yuan and Ts’ai Yen | 第16-19页 |
| ·FEMALE IMAGES IN OLD CHINA: OPPRESSION AND OBEDIENCE | 第19-23页 |
| ·No Name Woman and “My” Aunt Moon Orchid | 第20-21页 |
| ·The Shaman Brave Orchid | 第21-23页 |
| ·PIONEERING IMAGES IN AMERICAN HISTORY: SILENCE AND RESISTANCE | 第23-28页 |
| ·Silenced Sugarmaker | 第23-25页 |
| ·Erased Railroad Worker | 第25-26页 |
| ·The Most Normal Laundry Worker | 第26-28页 |
| ·CHINESE IMAGES IN NEW ERA: PURSUIT OF IDENTITY | 第28-33页 |
| ·A Chinese Beatnik | 第28-30页 |
| ·A Present-Day USA Incarnation of the King of the Monkeys | 第30-33页 |
| CHAPTER TWO TRANSITION OF “THE OTHER” IMAGE IN KINGSTON’S WRITINGS: FROM “ME” TO “WE” | 第33-36页 |
| CHAPTER THREE THE PERSONAL FACTORS WHICH INFLUENCE KINGSTON’S CONSTRUCTION OF CHINESE IMAGES | 第36-40页 |
| ·DUAL IMAGINATION | 第36-38页 |
| ·CULTURAL MISREADING | 第38-40页 |
| CHAPTER FOUR CULTURAL AND HISTORICAL FACTORS WHICH INFLUENCE KINGSTON’S CONSTRUCTION OF CHINESE IMAGES | 第40-45页 |
| ·CHINESE IMAGES IN HISTORICAL TEXTS | 第40-42页 |
| ·CHINESE IMAGES IN WHITE AMERICAN’S CULTURAL TEXTS | 第42-45页 |
| CHAPTER FIVE CONCLUSION | 第45-48页 |
| ACKNOWLEDGEMENTS | 第48-49页 |
| NOTES | 第49-50页 |
| REFERENCES | 第50-53页 |
| APPENDIX 作者在攻读学位期间发表的论文目录 | 第53页 |
