| 摘要 | 第1-5页 |
| Abstract | 第5-6页 |
| Acknowledgements | 第6-8页 |
| Introduction | 第8-14页 |
| Chapter One The Origin of John Fiske’s Notion of Pleasure | 第14-25页 |
| ·Michel de Certeau The Practice of Everyday Life | 第14-15页 |
| ·Roland Barthes’ Semeiology, Text Theory, and Body Aesthetics | 第15-18页 |
| ·Mikhail Bakhtin’s Carnival Theory | 第18-19页 |
| ·Michel Foucault’s Power, Micro Power and Resistance | 第19-21页 |
| ·Pierre Bourdieu, Jean Baudrillard and Claude Levi-Strauss’s theories | 第21-25页 |
| Chapter Two John Fiske’s Notion of Pleasure | 第25-38页 |
| ·Popular Pleasures | 第25-30页 |
| ·Shopping for Pleasure | 第30-32页 |
| ·Video Pleasures | 第32-33页 |
| ·The Pleasure of the Beach | 第33-38页 |
| Chapter Three The significance of John Fiske’s Notion of Pleasure | 第38-53页 |
| ·Prominent Significance | 第38-44页 |
| ·A Summary on the Notion of Pleasure—the Internal Driving Force of Popular Culture | 第38-39页 |
| ·A New Evaluation to the Significance and Effects of Popular Culture | 第39-40页 |
| ·From the Texts of Popular Culture to the Populism of Popular Culture Practices | 第40-41页 |
| ·The Significance of Research on Various Specific Cases | 第41页 |
| ·The Analysis of Power in the Operation Mechanism of Popular Culture | 第41-44页 |
| ·The Inspirations That Fiske’s Theory Can Bring to China’s Current Culture Study | 第44-53页 |
| Conclusion | 第53-56页 |
| Woks Cited | 第56-58页 |
