| ACKNOWLEDGEMENTS | 第1-5页 |
| Abstract in Chinese | 第5-7页 |
| Abstract in English | 第7-10页 |
| 1. Introduction | 第10-13页 |
| ·Life of Katherine Anne Porter and her literary achievements | 第10-11页 |
| ·A panorama study of Katherine Anne Porter | 第11-13页 |
| 2. Narrative Voice | 第13-25页 |
| ·The authorial narrator | 第15-21页 |
| ·Authorial equivalence | 第16页 |
| ·Relationship between the narrator and the story | 第16-19页 |
| ·The narrator's claim of referentiality | 第19-21页 |
| ·Female gender of the narrator | 第21-22页 |
| ·Two voices in Miranda stories | 第22-25页 |
| ·Oppressed female voices in The Circus | 第23页 |
| ·Protest female voices in The Grave | 第23-24页 |
| ·Self-discovery female voices in Old Mortality | 第24-25页 |
| 3. Narratee | 第25-34页 |
| ·Signals of the narratee by Gerald Prince | 第25-28页 |
| ·The narratee in the Miranda stories | 第28-34页 |
| ·A helper of the narrator in The Circus | 第28-29页 |
| ·An objective observer in The Grave | 第29-30页 |
| ·A detached narratee in Old Mortality | 第30-34页 |
| 4. Speech Presentation | 第34-45页 |
| ·Five types of speech presentation | 第34-35页 |
| ·Free direct discourse | 第35-38页 |
| ·Free indirect discourse | 第38-42页 |
| ·Multiple discourses | 第42-45页 |
| 5. Conclusion | 第45-47页 |
| Bibliography | 第47-48页 |
