| Abstract in Chinese | 第1-5页 |
| Abstract in English | 第5-6页 |
| Table of Contents | 第6-8页 |
| Chapter 1 Introduction | 第8-15页 |
| ·Theoretical Background for Woolf's Feminism | 第8-11页 |
| ·A Review of Studies of Virginia Woolf both at Home and Abroad | 第11-13页 |
| ·The Significance of the Thesis | 第13-15页 |
| Chapter 2 Woolf's Feminism | 第15-25页 |
| ·The Influence of Her Father | 第15-17页 |
| ·The Influence of Bloomsbury Group | 第17-21页 |
| ·Forming of Bloomsbury Group | 第17-19页 |
| ·Relationship between Woolf and Bloomsbury | 第19-21页 |
| ·Searching for the Female Identity | 第21-25页 |
| Chapter 3 Woolf's Androgynous Vision | 第25-47页 |
| ·A Brief Survey of Androgyny | 第25-28页 |
| ·A Close Reading of A Room of One's Own | 第28-38页 |
| ·October, Oxbridge: Women Are Poor | 第30-32页 |
| ·Exploring the Appropriate Writing State | 第32-36页 |
| ·London: Androgynous Mind | 第36-38页 |
| ·"Man-womanly" or "Woman-manly"—Woolf's Androgynous Ideal | 第38-42页 |
| ·The Significance of Woolf's Androgynous Ideal | 第42-47页 |
| Chapter 4 Case Study | 第47-63页 |
| ·Lily Briscoe—an Androgynous Artist | 第47-55页 |
| ·Bewilderment and Struggle of Self | 第48-51页 |
| ·Towards the Aim of Brightness and Hope | 第51-55页 |
| ·Orlando—the Rhapsody of Denaturalization | 第55-63页 |
| Chapter 5 The Relationship between Woolf's Androgynous Vision and the New Feminist Movement | 第63-65页 |
| Chapter 6 Conclusion | 第65-69页 |
| List of Abbreviations | 第69-70页 |
| Bibliography | 第70-73页 |
| Acknowledgements | 第73页 |
