| Abstract | 第1-5页 |
| 摘要 | 第5-7页 |
| Introduction | 第7-15页 |
| 1. Alice Childress and Her A Hero Ain’t Nothin’But a Sandwich | 第7-10页 |
| 2. Literature Review on A Hero Ain’t Nothin’But a Sandwich | 第10-15页 |
| Chapter One Narrative Points of View | 第15-23页 |
| 1. Classification of “Points of View” | 第15-17页 |
| 2. Multiple First-Person Point of View | 第17-23页 |
| Chapter Two Multiple First-Person Point of View in A Hero Ain’t Nothin’But a Sandwich | 第23-34页 |
| 1. Application of “Multiple First-Person Point of View”in the Novel | 第23-28页 |
| ·Detailed Analysis of “Multiple First-Person Point of View”in the Novel | 第23-25页 |
| ·“Multiple First-Person Point of View”and the Narrator’s Reliability | 第25-28页 |
| 2. Artistic Effects of “Multiple First-Person Point of View”in A Hero Ain’t Nothin’But a Sandwich | 第28-34页 |
| ·An Overall Picture of Characters and Society | 第28-29页 |
| ·Mutual Complement, Plot Development and the Reader’s Participation | 第29-31页 |
| ·A Dramatic Polyphony and “Dialogues” on Equal Terms | 第31页 |
| ·Embodiment of the Meaning of the Book’s Title | 第31-32页 |
| ·Reinforcement of the Initiation Theme | 第32-34页 |
| Chapter Three Inserted Chapters in A Hero Ain’t Nothin’But a Sandwich | 第34-42页 |
| 1. “Inserted Chapters”: the Insertion of Non-Fictional Materials and a Personal Letter | 第34-37页 |
| ·The Church Bulletin, News Items and Newspaper Advertisement | 第34-36页 |
| ·The Personal Letter | 第36-37页 |
| 2. Functions of the “Inserted Chapters” | 第37-42页 |
| ·Highlighting the Realist Quality of the Novel | 第37-38页 |
| ·Adjusting the Rhythm of the Plot Development | 第38-39页 |
| ·Serving as Linkages and Activators in Plot Development | 第39-40页 |
| ·Helping to Present the Character | 第40-42页 |
| Conclusion | 第42-45页 |
| Bibliography | 第45-48页 |
| Acknowledgements | 第48页 |
