| 摘要 | 第6-8页 |
| Abstract | 第8-10页 |
| Introduction | 第11-18页 |
| Chapter 1 Transgression | 第18-54页 |
| 1.1 Transgression: Definition | 第18-20页 |
| 1.2 Transgression: A Theoretical Overview | 第20-28页 |
| 1.3 Transgressions in Contemporary Asian American Literature | 第28-54页 |
| 1.3.1 Boundaries to Be Crossed: Racial and Gender Bias and Stereotypes | 第29-46页 |
| 1.3.2 Transgressions: Seeking the Answers to "Who Am I?" | 第46-54页 |
| Chapter 2 Transgressing the Tongues: Seeking the "Real" Asian American Voice in Maxine Hong Kingston's The Woman Warrior and Frank Chin's The Chickencoop Chinaman | 第54-99页 |
| 2.1 Mother Tongue versus Father Tongue | 第55-59页 |
| 2.2 Decoding the Transgressive Metaphors of Tongue-Cutting and Silence in Maxine Hong Kingston's The Woman Warrior | 第59-76页 |
| 2.2.1 Tongue-Cutting:Ankyloglossia and Lingual Frenectomy | 第60-62页 |
| 2.2.2 Cutting (M)other Tongue: The Violence of Linguistic Hegemony | 第62-69页 |
| 2.2.3 The Liminality of Silence: Possibilities of Resistance | 第69-76页 |
| 2.3 The Bleeding Ragmouth: The Logotherapy of Logorrhea in Frank Chin's The Chickencoop Chinaman | 第76-99页 |
| 2.3.1 Logorrhea: Catharsis and Logotherapy | 第77-80页 |
| 2.3.2 Logorrhea: A Deconstruction of the Fake Chinaman in Limbo | 第80-89页 |
| 2.3.3 Standard English or Black Vernacular: Borrowed Father Tongues Dead in the Ragmouth | 第89-99页 |
| Chapter 3 Transgressing the Bodies: The Fusion and Fluidity of Asian American Identities inAsian American Queer Writings | 第99-137页 |
| 3.1 Queering Asian America | 第99-104页 |
| 3.2 Russell C. Leong's Phoenix Eyes: Translocation,Transformation and Fusion of Asian American Queer Diasporic Writing | 第104-121页 |
| 3.2.1 The Covering and Uncovering of Wallace Lin in "Rough Notes for Mantos" | 第104-108页 |
| 3.2.2 Translocation,Transformation and Fusion of Asian American Queer Diasporas in Phoenix Eyes | 第108-121页 |
| 3.3 R.Zamora Linmark's Rolling the R's: An Asian American Queer Bildungsroman in the Borderland | 第121-137页 |
| 3.3.1 From Formation to Transformation—The Development of the Bildung Tradition from Old Europe to Contemporary America | 第122-128页 |
| 3.3.2 Transgressing the Boundary of the Ethnic Closet—Asian American Queer Self-Formation through Space,Language and Drags | 第128-137页 |
| Chapter 4 Transgressing the Genres: Asian American Multigeneric Writings as Actions in thePost-Identity Era | 第137-166页 |
| 4.1 The Generic Transgression | 第137-141页 |
| 4.2 Uncovering the Queer Selves: Literature as Action for the New Civil Rights in Kenji Yoshino's Covering | 第141-152页 |
| 4.2.1 The Integration of Law and Literature | 第141-143页 |
| 4.2.2 Narrative to Persuade and Motivate: The Performativity of Kenji Yoshino's Legal Storytelling | 第143-152页 |
| 4.3 Engaged Literature: Writing for Peace and Reconciliation in Maxine Hong Kingston's The Fifth Book of Peace | 第152-166页 |
| 4.3.1 From the Woman Warrior to the Peacemaker: Kingston's Transformation in Her Multigeneric Oeuvre | 第152-157页 |
| 4.3.2 Down to "Earth": Maxine Hong Kingston's Enworded Therapy in Veterans' Writing Workshops | 第157-166页 |
| Conclusion | 第166-169页 |
| Works Cited | 第169-185页 |
| Works Consulted | 第185-197页 |
| Acknowledgements | 第197-198页 |
