| 摘要 | 第4-6页 |
| Abstract | 第6-8页 |
| Introduction | 第10-19页 |
| Literature Review | 第13-17页 |
| Research Questions | 第17-19页 |
| Chapter 1 The Inherent Source of Knowledge:Gadamer's Critique on AestheticConsciousness in Humanistic Tradition | 第19-27页 |
| 1.1 Kant's Aesthetic Consciousness and its Humanistic Tradition | 第20-24页 |
| 1.2 The Aesthetic Consciousness in Artistic Experience | 第24-27页 |
| Chapter 2 The Approach to Knowledge:Gadamer's Critique on Kant'sSubjectivization | 第27-34页 |
| 2.1 Kant's the Analytic of the Beautiful | 第27-31页 |
| 2.2 The Transcendence of Aesthetic Consciousness | 第31-34页 |
| Chapter 3 The Establishment of Knowledge:Gadamer's Critique of ArtisticExperience | 第34-41页 |
| 3.1 The Subversive Characteristics of the Artistic Experience as Knowledge | 第36-38页 |
| 3.2 The Rebellious Characteristics of Artistic Experience as Knowledge | 第38-41页 |
| Conclusion | 第41-44页 |
| Major Findings | 第41-43页 |
| Limitations | 第43-44页 |
| Bibliography | 第44-46页 |
| 攻读硕士学位期间发表学术论文情况 | 第46-47页 |
| Acknowledgements | 第47-49页 |
