| Acknowledgements | 第1-4页 |
| Abstract (English Version) | 第4-6页 |
| Abstract (Chinese Version) | 第6-9页 |
| ChapterⅠ Introduction | 第9-12页 |
| ChapterⅡ Convergence Exhibited in Sound Form between English Poetry and Classical Chinese Poetry | 第12-36页 |
| 1 Convergence in the Origin of Poetry | 第12-15页 |
| ·Common Poetic Wisdom Manifested in Witchcraft in English Poetry(EP) and Classical Chinese Poetry(CCP) | 第12-14页 |
| ·Convergence of musicality in EP and CCP | 第14-15页 |
| 2 Common Aesthetic Components in Sound Form in EP and CCP | 第15-36页 |
| ·Western and Chinese Literary Criticism on the Intrinsic Study of Sound Form | 第16-17页 |
| ·Onomatopoeia in EP and CCP | 第17-18页 |
| ·Sound Symbolism in EP and CCP | 第18-29页 |
| 1 ) Sound Symbolism Based on Western Linguistics and Chinese Rhetoric | 第18-19页 |
| 2 ) Music, Sound and Feeling Based on Semiotics Aesthetics and Classical Chinese Aesthetics | 第19-20页 |
| 3 ) The Application of Gestalt Force- Field Theory to Sound Symbolism | 第20-21页 |
| 4 ) Cacophony of Consonants in EP and CCP | 第21-23页 |
| 5 ) Euphony of Vowels in EP and CCP | 第23-27页 |
| 6 ) Alternation of Consonants and Vowels in EP and CCP | 第27-29页 |
| ·Alliteration in EP and CCP | 第29-30页 |
| ·Assonance in EP and CCP | 第30-31页 |
| ·Alternation of Alliteration and Assonance in EP and CCP | 第31-32页 |
| ·Internal Rhyme in EP and CCP | 第32-33页 |
| ·Repetition in EP and CCP | 第33-36页 |
| Chapter Ⅲ Convergence Exhibited in Visual Form in EP and CCP | 第36-52页 |
| 1 Convergence in External Visual Form in EP and CCP | 第36-42页 |
| ·Neat Symmetry and Balance in EP and CCP | 第36-39页 |
| ·Strangely-shaped Form in EP and CCP | 第39-42页 |
| 2 Convergence in Internal Visual Form-Imagery | 第42-52页 |
| ·Influence of Classical Chinese Poetry on American Imagism | 第43页 |
| ·Convergence between American Imagist Poetry(AIP) and Classical Chinese Poetry(CCP) | 第43-46页 |
| 1 ) Synchronism of Images in AIP and CCP | 第43-44页 |
| 2 ) Juxtaposition of Images in AIP and CCP | 第44-46页 |
| ·The Peak of Convergence---------Gradual Identification with Nature | 第46-52页 |
| 1 ) Images as Viewed from Taoism and Western Aesthetics | 第46-50页 |
| 2 ) Further Convergence between Modern American Poetry and CCP | 第50-52页 |
| ChapterⅣ Conclusion | 第52-54页 |
| Notes | 第54-56页 |
| Bibliography | 第56-59页 |
