| ACKOWLEDGEMENTS | 第1-8页 |
| ABSTRACT | 第8-9页 |
| 摘要 | 第9-12页 |
| CHAPTER ONE INTRODUCTION | 第12-30页 |
| ·Queer Theory and the Critique of Sex,Gender and Sexuality:Foucault,Butler | 第13-15页 |
| ·Queer Approaches to Transgender and the Tension between Them | 第15-18页 |
| ·Screen Representations of Transgender,Film Introduction and Literature Review | 第18-23页 |
| ·Significance and Thesis Statement | 第23-25页 |
| ·Methodology and Structure | 第25-30页 |
| CHAPTER TWO EXHIBITING HETEROSEXUAL HEGEMONY | 第30-45页 |
| ·Discourse of Male Violence | 第31-36页 |
| ·Discourse of Pathology | 第36-38页 |
| ·Discourse of Hostility and Inferiority | 第38-42页 |
| ·Discourse of Alienation and Fragility | 第42-45页 |
| CHAPTER THREE PROBLEMATIZING THE HETEROSEXUAL NORMS | 第45-61页 |
| ·Destabilizing Gender Norms | 第46-55页 |
| ·Female Masculinity Rrepresented by Brandon | 第47-50页 |
| ·Male Femininity Represented by Bree | 第50-55页 |
| ·Discontinuing the Compulsory Continuum of Sex,Gender and Desire | 第55-61页 |
| ·Queer Relationship between Brandon and Lana | 第55-58页 |
| ·Bree's Queer Sexual Identity and Her Queer Relationship with Toby | 第58-61页 |
| CHAPTER FOUR RECONSTRUCTING TRANSSEXUALS' IDENTITY:RESISTANCE TO AND WITHIN THE HEGEMONIC CULTURE | 第61-71页 |
| ·Limitations of the Two Cinematic Representations of the Transgender | 第61-65页 |
| ·Identity Reconstruction in Resistance to Heterosexual Hegemony | 第65-71页 |
| ·Embodiment of Sexual Ambiguity to Disturb Sexual Binarism | 第67-69页 |
| ·Reclaiming Power of Refigured and Reinscribed Body | 第69-71页 |
| CHAPTER FIVE CONCLUSION | 第71-75页 |
| WORKS CITED | 第75-77页 |
