| ABSTRACT | 第1-7页 |
| 中文摘要 | 第7-8页 |
| ACKNOWLEDGEMENTS | 第8-11页 |
| Chapter One INTRODUCTION | 第11-20页 |
| ·"Race",Postcolonial Studies,and the United States | 第12-14页 |
| ·The White Self and Its Non-White Other | 第14-16页 |
| ·Whiteness and the Colonized | 第16-20页 |
| Chapter Two EUGENE O'NEILL'S BLACKNESS IN THE EMPEROR JONES | 第20-39页 |
| ·Eugene O'Neill's Historical Position in American Drama | 第20-22页 |
| ·The Emperor Jones | 第22-37页 |
| ·Conclusion:O'Neill and His Racial Other | 第37-39页 |
| Chapter Three AUGUST WlLSON'S WHITENESS IN JOE TURNER'S COME AND GONE | 第39-58页 |
| ·August Wilson's Historical Position in American Theatre | 第39-42页 |
| ·Joe Turner's Come and Gone | 第42-54页 |
| ·Whiteness as economic power and economic exploitation | 第42-49页 |
| ·Whiteness as social privilege | 第49-52页 |
| ·Whiteness as law | 第52-54页 |
| ·Wilson and His Racial Other | 第54-58页 |
| Chapter Four CONCLUSION | 第58-63页 |
| REFERENCES CITED | 第63-67页 |
