| ABSTRACT | 第1-7页 |
| 中文摘要 | 第7-8页 |
| ACKNOWLEDGEMENTS | 第8-10页 |
| Chapter One INTRODUCTION | 第10-15页 |
| Chapter Two REASONS FOR WHITE'S PREFERENCE FOR THE STREAM OF CONSCIOUSNESS | 第15-18页 |
| ·Personal Conviction | 第15-16页 |
| ·Social Factor | 第16-18页 |
| Chapter Three AN ANALYSIS OF THE STREAM OF CONSCIOUSNESS TECHNIQUES IN THE EYE OF THE STORM | 第18-46页 |
| ·Shift of Points of View—The Multi-Dimensional Mirror for the Characters' Inner World | 第18-22页 |
| ·Montage—The Kaleidoscope of the Characters' Inner World | 第22-28页 |
| ·Time Montage | 第22-26页 |
| ·Space Montage | 第26-28页 |
| ·Interior Monologue—The Vivid Reflection of the Characters' Inner World | 第28-37页 |
| ·Direct Interior Monologue | 第29-31页 |
| ·Indirect Interior Monologue | 第31-37页 |
| ·Free Association—The Clue of the Characters' Conscious Movement | 第37-43页 |
| ·Dream—The Path to the Characters' Unconsciousness and Subconsciousness | 第43-46页 |
| Chapter Four AN ANALYSIS OF OTHER TECHNIQUES USED TO PROVIDE UNITY IN THE EYE OF THE STORM | 第46-50页 |
| ·Leitmotif—The Sign of the Novel's Unity | 第46-47页 |
| ·Elizabeth—The Eye of the Novel's Storm | 第47-50页 |
| Chapter Five CONCLUSION | 第50-51页 |
| WORKS CITED | 第51-52页 |
