| Acknowledgements | 第1-5页 |
| 摘要 | 第5-6页 |
| Abstract | 第6-8页 |
| Introduction | 第8-15页 |
| 1. Evelyn Waugh and Brideshead Revisited | 第8页 |
| 2. Literature Review | 第8-12页 |
| 3. Thesis Statement | 第12-15页 |
| Chapter Ⅰ The Lacanian Psychoanalysis | 第15-21页 |
| 1. The Castrated Subject | 第15-17页 |
| 2. The Imaginary,the Symbolic and the Real | 第17-19页 |
| 3. Desire as Lack | 第19-21页 |
| Chapter Ⅱ Charles's Reconciliation with the Symbolic through ImaginarySymbolization | 第21-35页 |
| 1. Poets Are Nuts | 第21-22页 |
| 2. Charles as the Bereaved Child | 第22-24页 |
| 3. Love as Fantasy for Object a | 第24-27页 |
| 4. The Sliding of Signifiers | 第27-35页 |
| Chapter Ⅲ Sebastian's Endorsement of the Consistency of the Big Other byPretending that God Is Alive | 第35-47页 |
| 1. Love as an Escape from Reality | 第35-41页 |
| 2. Ideological Fantasy at Brideshead | 第41-45页 |
| 3. God Is Dead but He Doesn't Know It | 第45-47页 |
| Conclusion | 第47-50页 |
| Works Cited | 第50-51页 |
