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从芭芭拉·皮姆的《秋日四重奏》看身体视角中的老年女性身份建构

Acknowledgments第5-6页
中文摘要第6-8页
Abstract第8-9页
1. Introduction第11-18页
    1.1 Barbara Pym's life and work:a brief look第11-14页
    1.2 An overview of the literary representation of old women in English literature:past and present第14-16页
    1.3 Structure of the paper第16-18页
2. Women in the Wilderness:Encountering Feminism, Old Women and the Body第18-29页
    2.1 The invisible old women and the dangerously biased third-wave feminism第18-24页
    2.2 Rediscovering the body:A possible solution for the predicament of old women第24-29页
3. Body as the site of identification:Two Stereotypes of Old Women's Identities第29-38页
    3.1 Reformulating the feminine body:Marcia Ivory's attempt at the reconstruction of the female identity under the patriarchal gaze第29-33页
    3.2 Dressing the discursive body:Marcia's identity as a mad woman第33-38页
4. Politicizing the Body:Destabilizing the Patriarchal Dimension and Transcending the Old Women's Identity第38-49页
    4.1 Marcia's fasting body:a silent campaigning for the legitimate old women's identity第38-42页
    4.2 The double vision of jouissance:the body of mimesis and abjection and the destabilization of patriarchy第42-49页
5. Conclusion第49-52页
Works Cited第52-56页

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