| Acknowledgments | 第4-5页 |
| Abstract | 第5-6页 |
| 摘要 | 第7-8页 |
| Table of Contents | 第8-9页 |
| Introduction | 第9-12页 |
| Chapter One Film Adaptation as an Interpretation | 第12-20页 |
| Literature and Film | 第12-15页 |
| The Dilemma of Fidelity | 第15-17页 |
| Film Adaptation as Literary Criticism | 第17-20页 |
| Chapter Two The Patriarchal Discourse in Emma (1996) | 第20-27页 |
| Feminist Literary Theory and Emma | 第20-21页 |
| Diarmuid Lawrence's Interpretation of Emma | 第21-27页 |
| Chapter Three Emma (1996) as a Feminist Reading | 第27-34页 |
| Emma's feminist claim | 第27-28页 |
| Douglas McGrath's Feminist Interpretation of Emma | 第28-34页 |
| Chapter Four A Clueless Autognosis in Clueless (1995) | 第34-41页 |
| Emma as a Bildungsroman | 第34-36页 |
| The Clues to Self-awareness in Clueless | 第36-41页 |
| Chapter Five Interpreting Jane Austen with Films | 第41-46页 |
| The Greatness of Jane Austen as a Novelist | 第41-42页 |
| The Illuminating Differences | 第42-46页 |
| Conclusion | 第46-49页 |
| Notes | 第49-50页 |
| Works Cited | 第50-53页 |
