| 摘要 | 第1-9页 |
| Abstract | 第9-13页 |
| List of Abbreviations | 第13-14页 |
| Introduction | 第14-28页 |
| Chapter One To the Lighthouse: The Marriage of Fact and Fictionality | 第28-57页 |
| Ⅰ. Lily Briscoe and the Ramsays as the Marriage Outcome | 第31-41页 |
| Ⅱ. The Marriage of Factual Absence and Fictional Presence | 第41-50页 |
| Ⅲ. The Marriage of Life and Art | 第50-57页 |
| Chapter Two The Waves: The Dissociation of Fact and Fictionality | 第57-85页 |
| I. Protagonists in Dissociation from Their Factual Counterparts | 第60-70页 |
| Ⅱ. The Dissociation of Poetic Fiction and Narrative Fiction | 第70-78页 |
| Ⅲ. The Dissociation of Actual World and Fictional World | 第78-85页 |
| Chapter Three Orlando: A Biography: The Mixture of Fact and Fictionality | 第85-115页 |
| I. Orlando as a Mixture of Vita Sackville-West and Virginia Woolf | 第88-100页 |
| Ⅱ. The Mixture of Biography and Fiction | 第100-108页 |
| Ⅲ. The Fusion of Truth and the Work of Art | 第108-115页 |
| Chapter Four Roger Fry: A Biography: The Tension between Fact and Fictionality | 第115-144页 |
| I. Subject Roger Fry as a Compromise of the Tension | 第117-122页 |
| Ⅱ. The Ethical Tension of Life Writing | 第122-129页 |
| Ⅲ. The Inescapable Tension between Reality and Fictional Freedom | 第129-144页 |
| Conclusion | 第144-153页 |
| Works Cited | 第153-158页 |
