| 摘要 | 第4-5页 |
| ABSTRACT | 第5-6页 |
| Introduction | 第8-16页 |
| Introduction to Angela Carter find Nights at the Circus | 第8-10页 |
| Literature Review and Theoretical Basis | 第10-14页 |
| Thesis arrangement | 第14-16页 |
| Chapter One The Re-contextualization of History | 第16-24页 |
| 1.1 The Representation of Historical scenes in Nights at the Circus | 第16-21页 |
| 1.2 The Symbolization of Historical Figures in Nights at the Circus | 第21-24页 |
| Chapter Two The Appropriation and Adaptation in Nights at the Circus | 第24-41页 |
| 2.1 The Appropriation of Canonic literature in Nights at the Circus | 第25-32页 |
| 2.2 The Adaptation of Literary Works | 第32-41页 |
| Chapter Three The Re-examination of Cultural Discourses | 第41-50页 |
| 3.1 The Third Space of Gender and Identity | 第41-45页 |
| 3.2 Laughter as Means of Defying Authorities and Hierarchical Relations | 第45-50页 |
| Conclusion | 第50-53页 |
| REFERENCES | 第53-55页 |
| 硕士学位期间发表论文 | 第55-56页 |
| Acknowledgements | 第56页 |
