| Acknowledgements | 第5-6页 |
| 中文摘要 | 第6-8页 |
| Abstract | 第8-9页 |
| 1. Introduction | 第11-19页 |
| 1.1 Thomas King and Green Grass, Running Water | 第11-12页 |
| 1.2 Literature review | 第12-16页 |
| 1.3 Research task, method and structure | 第16-19页 |
| 2. Subversion of the Indian Cultural Identity | 第19-32页 |
| 2.1 Changes in Indians' ways of living | 第19-25页 |
| 2.1.1 Loss of primitive lifestyle | 第19-22页 |
| 2.1.2 Relying on modern media and technology | 第22-25页 |
| 2.2 Altering in Indians' state of mind | 第25-32页 |
| 2.2.1 Denying of traditional Indian culture | 第25-27页 |
| 2.2.2 Funny mimics of the white society | 第27-32页 |
| 3. Hybridity of the Cultural Identity--not Same and not White | 第32-40页 |
| 3.1 Not the same--repelled by the white society | 第32-36页 |
| 3.2 Not white--the existence of Indian complex | 第36-40页 |
| 4. Recognition of Indian Cultural Identity | 第40-52页 |
| 4.1 Eulogizing first nations' sense of land and relations | 第40-45页 |
| 4.1.1 Eli Stands Alone --standing alone to protect the land | 第40-43页 |
| 4.1.2 Charlie Looking Bear--awareness of the relations | 第43-45页 |
| 4.2 Celebration of Indians' noble ceremony | 第45-52页 |
| 4.2.1 Lionel--Sun Dance journey as his identity recognition journey | 第46-48页 |
| 4.2.2 Eli and Lionel--protecting their beliefs together | 第48-52页 |
| 5. Conclusion | 第52-55页 |
| Bibliography | 第55-57页 |
