| Acknowledgements | 第3-4页 |
| Abstract | 第4-5页 |
| 摘要 | 第6-9页 |
| Introduction | 第9-17页 |
| Literature Review | 第9-13页 |
| A Historical Review of the Theoretical Framework | 第13-17页 |
| Chapter One Male Menace:Subordinate Women Image in The BirthdayParty | 第17-24页 |
| Meg:a Housewife | 第18-19页 |
| Meg:a Castrating Mother | 第19-21页 |
| Stanley:the Oppressor | 第21-24页 |
| Chapter Two Subversion or Return:Ruth in The Homecoming | 第24-34页 |
| Ruth's counterattack against the Patriarchal Family | 第25-28页 |
| Men's Intention in the Power Struggle | 第28-32页 |
| Ruth vs. Ruth | 第32-34页 |
| Chapter Three Competence between the Present and the Past:Exorcismof Homosexual Woman in Old Times | 第34-43页 |
| Power Struggle in the Triangular:Odd Man Out | 第34-37页 |
| Verbal Fight between Anna and Deeley | 第37-41页 |
| Kate's Exorcism of Homosexual Anna | 第41-43页 |
| Chapter Four Female Hero and the Oppressed:Women Image inMountain Language | 第43-49页 |
| Discourse as Power:Sara's Fight against the Male Government Agent | 第44-46页 |
| Pinter's Change in Family Relationship | 第46-49页 |
| Conclusion | 第49-52页 |
| Works Cited | 第52-56页 |
