| Acknowledgements | 第3-4页 |
| Abstract | 第4页 |
| 摘要 | 第5-7页 |
| Introduction | 第7-17页 |
| The Madwoman Image and Chinese American Women Writers’ Female InsanityWritings | 第7-10页 |
| Current Studies on Kingston’s The Woman Warrior and Chao’s Monkey King | 第10-15页 |
| Framework of the Thesis | 第15-17页 |
| Chapter One Female Insanity Driven by Double Marginalization and DoubleOppressions | 第17-33页 |
| 1.1 Moon Orchid: Story of the Abandoned Left-behind Wife of Gimshunhock | 第17-24页 |
| 1.1.1 The Discrepancy Between the Chinese Fantasy and American Reality | 第19-22页 |
| 1.1.2 Being Abandoned by Gimshunhock Husband – The“Last Straw”DefeatingMoon Orchid | 第22-24页 |
| 1.2 Sally Wang:“Oriental Girl”Haunted by Childhood Incest Memory | 第24-33页 |
| 1.2.1 Incurable Childhood Trauma: Incest Victim Under the Patriarchal Oppression | 第26-29页 |
| 1.2.2“Oriental Girl”with Split Chinese and American Identities | 第29-33页 |
| Chapter Two Chinese American Women’s Identity at Cultural Crossroads | 第33-41页 |
| 2.1 Moon Orchid’s Identity Collapse and Loss of Identity | 第33-36页 |
| 2.2 Sally Wang’s Reclaiming Cultural Heritage and Reconstruction of Identity | 第36-41页 |
| Chapter Three Chinese American Women Writers and The Politics of WritingFemale Insanity | 第41-53页 |
| 3.1 Writing Female Insanity as Resistance against Patriarchal Oppression | 第43-46页 |
| 3.2 Writing Female Insanity as Resistance against Racism | 第46-48页 |
| 3.3 Ethnicity or Going Beyond Ethnicity in Female Insanity Writings | 第48-53页 |
| Conclusion | 第53-55页 |
| Bibliography | 第55-60页 |
