| ACKNOWLEDGEMENTS | 第1-9页 |
| ABSTRACT | 第9-10页 |
| 摘要 | 第10-11页 |
| CONTENTS | 第11-13页 |
| CHAPTER Ⅰ INTRODUCTION | 第13-19页 |
| ·A Brief Introduction to Ang Lee | 第13页 |
| ·Background and Significance of the Research | 第13-16页 |
| ·Objectives and Methods | 第16-17页 |
| ·Structure of the Thesis | 第17-19页 |
| CHAPTER Ⅱ LITERATURE REVIEW | 第19-27页 |
| ·Studies on Ang Lee’s Films | 第19-22页 |
| ·Studies on Intercultural Personhood | 第22-27页 |
| ·Definition of Intercultural Personhood | 第22-23页 |
| ·Emergence of Intercultural Personhood | 第23-27页 |
| CHAPTER Ⅲ THEORETICAL FRAMEWORK | 第27-36页 |
| ·Hofstede’s Cultural Value Dimensions | 第27-32页 |
| ·Individualism vs. Collectivism | 第27-29页 |
| ·Power Distance | 第29-31页 |
| ·Long-term Orientation vs. Short-term Orientation | 第31-32页 |
| ·The Intercultural Adaptation Theory | 第32-36页 |
| CHAPTER Ⅳ CULTURAL CONFLICTS BETWEEN THE EAST AND THE WEST REFLECTED IN PUSHING HANDS AND THE WEDDING BANQUET | 第36-56页 |
| ·The Plot Overview of Pushing Hands and The Wedding Banquet | 第36-38页 |
| ·The Plot of Pushing Hands | 第36-37页 |
| ·The Plot of The Wedding Banquet | 第37-38页 |
| ·The Conflicts in Family Ethics and Values | 第38-44页 |
| ·Traditional Extended Family System vs. Modern Nuclear Family System | 第39-41页 |
| ·The Conflict between Individualism and Collectivism | 第41-44页 |
| ·The Interpersonal Relationships within a Family | 第44-53页 |
| ·Hierarchy and Equality | 第44-47页 |
| ·Filial Belief and Parent-child Conflicts | 第47-53页 |
| ·Dilemma between Father and Wife | 第47-50页 |
| ·Dilemma between Obligation and Love | 第50-53页 |
| ·Cultural Conflicts Calls for the Emergence of Ang Lee’s Intercultural Personhood | 第53-56页 |
| CHAPTER Ⅴ CROUCHING TIGER AND HIDDEN DRAGON: A SUCCESSFUL FUSION OF EASTERN AND WESTERN CULTURES | 第56-67页 |
| ·The Plot Overview of Crouching Tiger and Hidden Dragon | 第56-57页 |
| ·Chinese Repressed Love and Western Passionate Love | 第57-62页 |
| ·Chinese Sacrificed Spirit and Western Disobedient Spirit | 第62-64页 |
| ·The Emergence of Ang Lee’s Intercultural Personhood | 第64-67页 |
| CHAPTER Ⅵ HUMANITY IN ANG LEE’S CONTROVERSIAL FILM—BROKEBACK MOUNTAIN | 第67-76页 |
| ·The Plot Overview of Brokeback Mountain | 第67-69页 |
| ·A Western Story Told in Chinese Way | 第69-71页 |
| ·Humanity in the Integrated Family Complex | 第71-73页 |
| ·Formation of Ang Lee’s Intercultural Personhood | 第73-76页 |
| CHAPTER Ⅶ CONCLUSION | 第76-80页 |
| ·Main Findings of the Research | 第76-78页 |
| ·Implications and Suggestions for the Future Research | 第78-80页 |
| WORKS CITED | 第80-84页 |
