| Abstract | 第1-8页 |
| 摘要 | 第8-11页 |
| Chapter One: Introduction | 第11-19页 |
| ·The Playwright and His Time | 第11-12页 |
| ·Literature Review | 第12-15页 |
| ·The Objective of This Paper | 第15-19页 |
| Chapter Two: A Survey of Alienation | 第19-25页 |
| ·The Definition of Alienation | 第19-21页 |
| ·Alienation in Literature | 第21-25页 |
| Chapter Three: Alienation in The Glass Menagerie | 第25-45页 |
| ·The Summary of the Plot | 第25-27页 |
| ·Alienation from the Species Beings | 第27-35页 |
| ·Alienation from Consciousness towards Life | 第28-31页 |
| ·The Manipulation by Work | 第31-33页 |
| ·Alienated from the Superior Requirements | 第33-35页 |
| ·The Alienated Relationship with Other People | 第35-39页 |
| ·The Relationship with the Absent Father | 第35-37页 |
| ·The Reified Relationship with the Other People | 第37-39页 |
| ·Alienation from the Times | 第39-45页 |
| ·Indulging in the Southern Life Style | 第39-41页 |
| ·Alienation from the Modem World | 第41-42页 |
| ·Alienation from Their Future | 第42-45页 |
| Chapter Four: The Dramatic Devices for Emphasis on the Theme | 第45-50页 |
| ·One Actor with Multiple Roles | 第45-47页 |
| ·The Fragmentary Plot | 第47-48页 |
| ·The Distant Gestus | 第48-50页 |
| Chapter Five: Conclusion | 第50-52页 |
| Bibliography | 第52-55页 |
