| ACKNOWLEDGEMENTS | 第5-6页 |
| ABSTRACT | 第6-7页 |
| 摘要 | 第8-12页 |
| CHAPTER ONE INTRODUCTION | 第12-22页 |
| 1.1 Wong Kar-wai?s Cinematic Travel in the Post-colonial Hong Kong | 第12-15页 |
| 1.2 Literature Review | 第15-17页 |
| 1.3 Theoretical Framework | 第17-19页 |
| 1.4 Thesis Statement and Significance of the Research | 第19-20页 |
| 1.5 Structure of the Thesis | 第20-22页 |
| CHAPTER TWO CONFRONTATION IN THE HYBRIDIZED SPACE OF HAPPYTOGET HER | 第22-40页 |
| 2.1 Problems in the Hybridized Foreign Land | 第22-29页 |
| 2.1.1 Dissension of Dwelling Trampers | 第23-26页 |
| 2.1.2 Despise on Gender and Nationality | 第26-29页 |
| 2.2 Trampers? Ambiguities Displayed in the Chaotic Collaged Space | 第29-34页 |
| 2.3 Refusal and Acceptance in the Hybridized Space | 第34-40页 |
| CHAPTER THREE INTROSPECTION IN THE INTERSTITIAL SPACE OF MYBLUEBERRY NIGHTS | 第40-56页 |
| 3.1 Alien Projection of Hong Kong Anxiety | 第40-46页 |
| 3.1.1 Similar Cinematic Settings for Reflection | 第40-44页 |
| 3.1.2 Different City Stories for Retrospection | 第44-46页 |
| 3.2 Rumination via Insiders in the Interstice to Regain Values | 第46-56页 |
| 3.2.1 Through the Stay with Cafe Owner | 第47-50页 |
| 3.2.2 Through the Stay with Policeman and His Wife | 第50-52页 |
| 3.2.3 Through the Stay with Gambler | 第52-56页 |
| CHAPTER FOUR RESETTLEMENT OF CITY TRAMPERS IN THE THIRDSPACE | 第56-64页 |
| 4.1 Regain of Liberation | 第56-60页 |
| 4.2 Reconsolidation of Self Identity | 第60-64页 |
| CHAPTER FIVE CONCLUSION | 第64-68页 |
| WORKS CITED | 第68-69页 |
