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《藻海无边》与《简·爱》的对比研究--对“灰姑娘”原型的解构

ABSTRACT第4页
摘要第5-7页
Introduction第7-10页
Chapter One:Two Female Writers and Their Representative Works第10-19页
    1.1 Charlotte Bronte and Jane Eyre第10-13页
        1.1.1 Charlotte Bronte: life, Works and Significance as a Feminist Writer第10-11页
        1.1.2 Jane Eyre and its Theme第11-13页
    1.2 Jean Rhys and Wide Sargasso Sea第13-17页
        1.2.1 Jean Rhys:Life, Works and Significance as a Feminist Writer第13-14页
        1.2.2 Wide Sargasso Sea and its Theme第14-17页
    1.3 Literature Review of Jane Eyre and Wide Sargasso Sea第17-19页
Chapter Two:Comparison of Female Characterization in Different Epoch第19-27页
    2.1 Jane Eyre:in the age of Early Capitalism and Early Feminism第19-22页
        2.1.1 Mrs. Reed:a Protector of Phallocentrism第19-20页
        2.1.2 Mrs. Fairfax:a Server for the Phallocentrism第20-21页
        2.1.3 Jane Eyre:a Compromiser with the Phallocentrism第21-22页
    2.2 Wide Sargasso Sea:in the Age of Post-Colonialism第22-27页
        2.2.1 Annette:a Victim of Phallocentrism第22-23页
        2.2.2 Christophine:a Denial to Phallocentrism第23-24页
        2.2.3 Antoinette:Rebel Against Phallocentrism第24-27页
Chapter Three:Mythological and Archetypal Approach第27-38页
    3.1 Mythological and Archetypal Approach第27-34页
        3.1.1 The Embodiment of the Archetypal Cinderella第30-32页
        3.1.2 The Different Images of Cinderella in Different Times第32-34页
    3.2 Jane Eyre:an Evolved Cinderella Story第34-35页
    3.3 Wide Sargasso Sea:an Anti-Cinderella Story第35-38页
Conclusion第38-40页
Bibliography第40页

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