| ABSTRACT | 第4-5页 |
| 摘要 | 第6-7页 |
| ACKNOWLEDGEMENTS | 第7-11页 |
| CHAPTER ONE INTRODUCTION | 第11-21页 |
| 1.1 Don DeLillo and His Underworld | 第11-14页 |
| 1.2 The Scholarly Context | 第14-18页 |
| 1.3 Objective and Significance of the Thesis | 第18-19页 |
| 1.4 Theoretical Basis and Structure of the Thesis | 第19-21页 |
| CHAPTER TWO THEORIES ON TECHNOLOGY | 第21-31页 |
| 2.1 Definition of Technology | 第21-22页 |
| 2.2 Frankfurt School's Critical Theories of Technology | 第22-31页 |
| CHAPTER THREE "EVERYTHING IS CONNECTED":TECHNOLOGY AND POLITICAL DOMINATION | 第31-45页 |
| 3.1 Technological Reason as Dominant Ideology | 第32-37页 |
| 3.2 Media Technology as Dominant Tool | 第37-45页 |
| CHAPTER FOUR "WE'RE ALL GONNA DIE!":DECLINE OF INDIVIDUAL INTERIORITY AND DIMENSIONALITY | 第45-57页 |
| 4.1 The Apocalyptic Anxiety and Fantasy | 第46-50页 |
| 4.2 The Omnipresent Paranoia and Suspicion | 第50-57页 |
| CHAPTER FIVE"LONG TALL SALLY":ARTISTIC RESISTANCE AGAINST AND TRANSCENDENCE OVER TECHNOLOGICAL REASON | 第57-67页 |
| 5.1 Artistic Resistance against the Technological Hegemony | 第58-62页 |
| 5.2 Artistic Transcendence over the Technological Disaster | 第62-67页 |
| CHAPTER SIX CONCLUSION | 第67-70页 |
| WORKS CITED | 第70-75页 |
| 攻读学位期间取得的研究成果 | 第75-77页 |
| 个人简况及联系方式 | 第77-81页 |
