首页--文学论文

《喧哗与骚动》之经典叙事分析

摘要第5-6页
Abstract第6页
Chapter 1 Introduction第9-16页
    1.1 Research Object第9-10页
    1.2 Research Questions第10-11页
    1.3 Research Significance第11-12页
    1.4 Theoretical Basis第12-15页
        1.4.1 Gerard Genette’s Narratology第12-13页
        1.4.2 Narration, Focalization and Narrative Situation第13-14页
        1.4.3 The Theory of Narrative Time and Tense in Gerard Genette’s Narratology第14-15页
    1.5 Thesis Structure第15-16页
Chapter 2 Literature Review第16-24页
    2.1 Previous Studies on The Sound and the Fury第16-19页
        2.1.1 Researches on Characters第16-18页
        2.1.2 Researches on Theme第18-19页
        2.1.3 Comparative Studies第19页
    2.2 Previous Researches on Narratology第19-24页
        2.2.1 Researches on Narrative Time第20-21页
        2.2.2 Researches on Narrative Strategy第21-24页
Chapter 3 The Narrative Features of The Sound and the Fury第24-31页
    3.1 Narrative Situation: A Mixture of Multi-perspective Narration and Multiple Focalization第24-28页
        3.1.1 The Section of Benjy: Scattered Episodic Self Narration第24-25页
        3.1.2 The Section of Quentin: A Self-slayer’s Self Narration with Frenzied Flow of Consciousness第25-26页
        3.1.3 The Section of Jason: A Paranoia’s Wrathful and Frank Self Narration第26-27页
        3.1.4 The Section of the Author: An Omniscient Narration第27-28页
    3.2 Narrative Time: Order in a Mess第28-29页
    3.3 Narrative Tense: Wondrous Use of Tense Shift第29-31页
Chapter 4 The Narrative Effects of The Sound and the Fury第31-35页
    4.1 Reliability of the Narrators第31-32页
    4.2 Uncertainty of the Narrative Time第32-33页
    4.3 Differences in Language Style Caused by Different Narrators第33-35页
Conclusion第35-37页
Bibliography第37-40页
详细中文摘要第40-45页
Acknowledgements第45页

论文共45页,点击 下载论文
上一篇:论村上春树的《1Q84》
下一篇:CY艺术大学教师专业技术岗位设置及任职条件优化研究