| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Chapter One Introduction | 第8-12页 |
| 1.1 Research Background | 第8-9页 |
| 1.2 The Purposes and Significance of the Study | 第9-10页 |
| 1.3 The Organization of the Thesis | 第10-12页 |
| Chapter Two Literature Review | 第12-20页 |
| 2.1 A General Review of the Prototype Theory | 第12-14页 |
| 2.2 A General Review of Researches on Fu Bi Xing in Classical Chinese Poetry | 第14-20页 |
| Chapter Three Prototype Effects of Fu in Classical Chinese Poetry | 第20-28页 |
| 3.1 General Viewpoints on Fu | 第20页 |
| 3.2 Prototype Effects of Fu Embodied in Classical Chinese Poetry | 第20-28页 |
| 3.2.1 Fu Used in Narration or Description | 第22-24页 |
| 3.2.2 Fu Used in Expressing One's Views or Emotions | 第24-28页 |
| Chapter Four Prototype Effects of Bi in Classical Chinese Poetry | 第28-38页 |
| 4.1 General Viewpoints on Bi | 第28-29页 |
| 4.2 Prototype Effects of Bi Embodied in Classical Chinese Poetry | 第29-38页 |
| 4.2.1 Bi Used Based on Obvious Similarities Between Tenors and Vehicles | 第30-33页 |
| 4.2.2 Bi Used Based on Created Similarities Between Tenors and Vehicles | 第33-38页 |
| Chapter Five Prototype Effects of Xing in Classical Chinese Poetry | 第38-50页 |
| 5.1 General Viewpoints on Xing | 第38-39页 |
| 5.2 Prototype Effects of Xing Embodied in Classical Chinese Poetry | 第39-50页 |
| 5.2.1 The First Kind of Xing | 第41-43页 |
| 5.2.2 The Second Kind of Xing | 第43-45页 |
| 5.2.3 The Third Kind of Xing | 第45-47页 |
| 5.2.4 The Fourth Kind of Xing | 第47-50页 |
| Chapter Six Conclusion | 第50-53页 |
| Bibliography | 第53-56页 |
| Acknowledgements | 第56页 |
