| 中文摘要 | 第5-9页 |
| Abstracts | 第9-13页 |
| Acknowledgements | 第14-16页 |
| Abbreviations | 第16-18页 |
| Introduction | 第18-46页 |
| Chapter One:Polyphonic Narrative out of Intentional or Unconscious Hybridity | 第46-85页 |
| 1.1 Multi-voiced narration in Love, again | 第49-55页 |
| 1.2 Diversified narrators in The Diaries of Jane Somers | 第55-64页 |
| 1.3 Mixed perspectives in The Diaries of Jane Somers, The Grass is Singing & The Golden Notebook | 第64-85页 |
| Chapter Two:Heteroglossia Inside and Outside the Text | 第85-135页 |
| 2.1 From realism to post-modernism:The Grass is Singing & The Summer Before the Dark | 第89-102页 |
| 2.2 Border-crossing in genres:The Memoirs of a Survivor, Alfred and Emily & The Marriages between Zone Three, Four, and Five | 第102-112页 |
| 2.3 A juxtaposition of narratives:travel narrative & female narrative | 第112-135页 |
| Chapter Three:A Hybrid Construction of Lessing's Hybridity | 第135-166页 |
| 3.1 Protest against Philistinism and labeling | 第139-146页 |
| 3.2 Rebelliousness cultivated through lifelong struggle | 第146-151页 |
| 3.3 Fluidity in writing philosophy | 第151-166页 |
| Conclusion | 第166-175页 |
| Works Cited | 第175-186页 |
