摘要 | 第1-7页 |
Abstract | 第7-8页 |
Introduction | 第8-16页 |
·A Brief Introduction to Oscar Wilde and The Picture of Dorian Gray | 第8-11页 |
·Literature Review | 第11-15页 |
·Thesis Statement | 第15-16页 |
Chapter One Aesthetic Theory | 第16-26页 |
·Aestheticism | 第16-17页 |
·Aesthetic Viewpoints of Oscar Wilde | 第17-20页 |
·A Paradoxical Aesthete | 第20-26页 |
Chapter Two Oscar Wilde’s Formation for Aesthetic Ideas | 第26-33页 |
·Family Environment | 第26-29页 |
·Influenced by Oscar Wilde’s Parents | 第26-27页 |
·Educational Background | 第27-29页 |
·Social Background | 第29-33页 |
·Political Background | 第29-31页 |
·Wilde’s Tendency towards“Socialism” | 第31-33页 |
Chapter Three The Paradox among The Three Figures in The Picture of Dorian Gray | 第33-50页 |
·Three Characteristics of Oscar Wilde | 第33-35页 |
·Dorian Gray–the Owner of Beauty and Evader of Morality | 第35-39页 |
·A Practitioner of Aestheticism | 第36-37页 |
·Lost in Morality | 第37-38页 |
·Moral anxiety reflected in Dorian Gray | 第38-39页 |
·Henry Wotton-the Supporter of Beauty and Quitter of Morality | 第39-43页 |
·An Aestheticism Promoter | 第40-42页 |
·A Morality Cynic | 第42-43页 |
·Basil Howard–the Creator of Beauty and Defender of Morality | 第43-47页 |
·An Art Creator and Art Adorer | 第44-45页 |
·A Protector of Morality | 第45-47页 |
·The Inner Connections of the Three Personalities | 第47-50页 |
Chapter Four The Paradox Between Oscar Wilde’s Aesthetic Ideas and his Morality | 第50-61页 |
·The Paradox between the Independence of Art and the Connection of Art’s Creator | 第50-55页 |
·The Paradox between the Moral Theme in The Picture of Dorian Gray and Art for Art’s Sake | 第55-61页 |
Conclusion | 第61-62页 |
Notes | 第62-65页 |
Bibliography | 第65-68页 |
攻读硕士学位期间所发表的学术论文 | 第68-70页 |
Acknowledgements | 第70页 |