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莫里斯·博伯与傻瓜吉姆佩尔形象比较研究

Abstract第4-5页
摘要第6-9页
Abbreviations第9-10页
Chapter One Introduction第10-17页
    1.1 Introduction to The Assistant and Gimpel the Fool第10-12页
        1.1.1 Bernard Malamud and The Assistant第10-11页
        1.1.2 Isaac Bashevis Singer and Gimpel the Fool第11-12页
    1.2 Review of Current Studies on The Assistant and Gimpel the Fool第12-16页
        1.2.1 Review of Previous Studies on The Assistant第13-14页
        1.2.2 Review of Previous Studies on Gimpel the Fool第14-15页
        1.2.3 Comments on Previous Studies第15-16页
    1.3 The Structure and Method of the Study第16-17页
Chapter Two A Comparison of Archetype Images of Morris and Gimpel第17-25页
    2.1 Introduction to Myth Archetypal Theory第17-18页
    2.2 Image of Morris as Job第18-21页
        2.2.1 Image of Job第18-19页
        2.2.2 Morris’ Function as a Victim第19-21页
    2.3 Image of Gimpel as Scapegoat第21-25页
        2.3.1 Image of Scapegoat第21-23页
        2.3.2 Gimpel’s Function as a Scapegoat第23-25页
Chapter Three A Comparison of Images as Sufferers of Morris and Gimpel第25-35页
    3.1 Similar Experiences of Suffering第25-26页
    3.2 Different Ways of Suffering第26-28页
        3.2.1 The Suffering of Morris Bober: Being Persecuted第26-27页
        3.2.2 The Suffering of Gimpel: Being Mocked第27-28页
    3.3 Different Motivations to Suffer第28-30页
        3.3.1 Morris: Suffering for Self-Salvation第28-29页
        3.3.2 Gimpel: Suffering for Salvation of Others第29-30页
    3.4 Different Representations of Suffering第30-35页
        3.4.1 Morris: an Active Sufferer第31-32页
        3.4.2 Gimpel: a Passive Sufferer第32-35页
Chapter Four A Comparison of Images as Messiah of Morris and Gimpel第35-41页
    4.1 The Essence of Messiah第35-36页
    4.2 The Function of Messiah第36-37页
    4.3 Similar Functions as Messiah of Morris and Gimpel第37-38页
    4.4 Different Functions as Messiah between Morris and Gimpel第38-41页
        4.4.1 Morris Suffers for Redemption第38-39页
        4.4.2 Morris’ Death to Sacrifice第39-40页
        4.4.3 Gimpel Bears to Save and Sacrifice第40-41页
Chapter Five A Comparison of the Characterization of Malamud and Singer第41-46页
    5.1 Similarity in the Characterization of Typical Jewish Figures第41-42页
    5.2 Differences in the Characterization of Typical Jewish Figures第42-46页
        5.2.1 Malamud: Silent Victim第43-44页
        5.2.2 Singer: Assimilated Schlemiel第44-46页
Chapter Six Conclusion第46-48页
    6.1 Major Findings of the Study第46页
    6.2 Implication and Application of the Study第46-47页
    6.3 Limitations of the Study and Prospects for Future Research第47-48页
Bibliography第48-51页
Acknowledgements第51-52页
Publications第52页

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