| 中文摘要 | 第1-3页 |
| Abstract | 第3-6页 |
| 1. Introduction | 第6-9页 |
| 2. Literature Review | 第9-20页 |
| ·The Studies on CIT | 第9-12页 |
| ·The Cognitive Studies on Poems and Lyrics | 第12-14页 |
| ·The Studies on Water Image in Ancient Chinese Poems and Lyrics | 第14-19页 |
| ·Summary | 第19-20页 |
| 3. The Conceptual Integration Theory | 第20-42页 |
| ·Theoretical Background of CIT | 第20-21页 |
| ·Mental Space Theory | 第21-29页 |
| ·Mental Spaces | 第22-25页 |
| ·Mappings | 第25-27页 |
| ·Access Principle | 第27-29页 |
| ·The Conceptual Integration and Integration Networks | 第29-40页 |
| ·The Network Model of Conceptual Integration | 第29-31页 |
| ·Basic Processes of Conceptual Integration | 第31-32页 |
| ·Types of Integration Network | 第32-36页 |
| ·Vital Relations and Compression | 第36-38页 |
| ·Governing Principles | 第38-40页 |
| ·Summary | 第40-42页 |
| 4. A CIT-based Interpretation of Water Image in Ancient Chinese Poems andLyrics | 第42-76页 |
| ·Four Types of Conceptual Integration Network in Ancient Chinese Poems | 第42-56页 |
| ·Application of Simplex Network | 第42-45页 |
| ·Application of Mirror Network | 第45-48页 |
| ·Application of Single-scope Network | 第48-52页 |
| ·Application of Double-scope Network | 第52-56页 |
| ·Comprehensive Analysis of Ancient Chinese Lyrics | 第56-75页 |
| ·"Charm of a Maiden Singer" by Su Shi | 第56-63页 |
| ·"Riverside Town" by Qin Guan | 第63-68页 |
| ·"Morning Horn and Frosty Sky"by Huang Ji | 第68-71页 |
| ·"Riverside Daffodils" by Zhu Dunru | 第71-75页 |
| ·Summary | 第75-76页 |
| 5. Conclusion | 第76-79页 |
| Bibliography | 第79-82页 |
| Acknowledgement | 第82-83页 |
| 攻读学位期间发表论文 | 第83-84页 |
