| 摘要 | 第4-5页 |
| Abstract | 第5-6页 |
| Introduction | 第9-26页 |
| 1. David Henry Hwang and His Literary Achievements | 第10-12页 |
| 2. Literature Review | 第12-19页 |
| 3. Theoretical Basis | 第19-26页 |
| Chapter 1 Mythological Thinking: The Approach to the Boundary in FOB | 第26-40页 |
| 1.1 Mythological and Historical Thinking | 第26-27页 |
| 1.2 Hwang's Reference of Chinese Traditional Cultural Symbols in FOB | 第27-38页 |
| 1.2.1 Gwan Gung-the Symbol of Chinese American Heroism | 第29-32页 |
| 1.2.2 Fa Mu Lan-the Symbol of Chinese American Feminism | 第32-35页 |
| 1.2.3 The Reference of Simple Beijing Opera Symbols | 第35-38页 |
| 1.3 The Approach to the Boundary | 第38-40页 |
| Chapter 2 Historical Thinking: From "Periphery" to "Center" in Flower Drum Song | 第40-55页 |
| 2.1 The Interaction of "Center" and "Periphery" | 第40-41页 |
| 2.2 The Innovative Application of Chinese Traditional Cultural Symbols in Flower Drum Song | 第41-53页 |
| 2.2.1 The Combination of Visual Symbols | 第43-48页 |
| 2.2.2 The Combination of Auditory Symbols | 第48-53页 |
| 2.3 The Dynamic Balance of Chinese and Western Culture | 第53-55页 |
| Chapter 3 Dialogue: The Integration of "Periphery" and "Center" in Chinglish | 第55-69页 |
| 3.1 The Dialogue Mechanism of "Semiosphere" | 第55-56页 |
| 3.2 The Cultural Dialogue in Chinglish | 第56-64页 |
| 3.2.1 The Translation of the Primary Modeling System | 第58-60页 |
| 3.2.2 The Translation of the Secondary Modeling System | 第60-64页 |
| 3.3 The Misreading in Translation of Text | 第64-66页 |
| 3.4 The Integration of Chinese and Western Culture in Chinese Semiosphere | 第66-69页 |
| Conclusion | 第69-72页 |
| Bibliography | 第72-78页 |
| Acknowledgements | 第78页 |
