| 摘要 | 第1-5页 |
| Abstract | 第5-8页 |
| Introduction | 第8-13页 |
| 1.Magic Realism | 第13-24页 |
| ·Origin and Definition of Magic Realism | 第13-15页 |
| ·Main Characteristics of Magic Realism | 第15-21页 |
| ·The Juxtaposition of the Past and the Present | 第16-17页 |
| ·The Description of Exaggerative and Ridiculous Characters | 第17页 |
| ·The Integration of the Real and the Imaginary | 第17-18页 |
| ·The Application of Ambiguous Factors | 第18-20页 |
| ·The Use of Mysterious Elements | 第20-21页 |
| ·Symbolism | 第21页 |
| ·Maxine Hong Kingston and Magic Realism | 第21-24页 |
| 2.Characterization of Magic Realism in Tripmaster Monkey:His Fake Book | 第24-31页 |
| ·Peculiar Names | 第24-27页 |
| ·Mysterious Features of Characters | 第27-29页 |
| ·Appearance of Ghosts | 第29-31页 |
| 3.Ambiguous Factors in Tripmaster Monkey:His Fake Book | 第31-39页 |
| ·Ambiguous Narrative Methods of Magic Realism in Tripmaster Monkey | 第31-35页 |
| ·Juxtaposition of the past and the present | 第31-33页 |
| ·Multiple Narrative Perspectives | 第33-35页 |
| ·Ambiguous Narration | 第35页 |
| ·Ambiguous Ethical Judgment on Wittman Ah Sing | 第35-37页 |
| ·Ambiguous Ending | 第37-39页 |
| 4.Symbolism in Tripmaster Monkey:His Fake Book | 第39-45页 |
| ·Symbolic Image of Movies | 第39-41页 |
| ·Symbolic Image of Theaters—Pear Garden in the West | 第41-45页 |
| Conclusion | 第45-47页 |
| Bibliography | 第47-50页 |
| Note | 第50-51页 |
| Acknowledgements | 第51页 |
