| ACKNOWLEDGEMENTS | 第1-5页 |
| 摘要 | 第5-7页 |
| ABSTRACT | 第7-11页 |
| Chapter One INTRODUCTION | 第11-22页 |
| ·Toni Morrison: Spokeswoman for African Americans | 第11-12页 |
| ·Shining star in African American literature | 第11页 |
| ·Works discussed | 第11-12页 |
| ·Literature Review | 第12-18页 |
| ·Research done at home and abroad | 第12-17页 |
| ·Significance and limitations | 第17-18页 |
| ·Literary Perspectives | 第18-22页 |
| ·Postcolonialism | 第18-19页 |
| ·New historicism | 第19-20页 |
| ·Feminism | 第20-22页 |
| Chapter Two THE OPPRESSED VOICES | 第22-44页 |
| ·The Voice of the Colonized | 第22-32页 |
| ·Aesthetic perversion and self devaluation in The Bluest Eye | 第22-29页 |
| ·The assimilated Afro-Americans in Song of Solomon | 第29-32页 |
| ·The Voice of the Silenced | 第32-38页 |
| ·A New demo of the folklore in Song of Solomon | 第32-36页 |
| ·Filling the blanks of the history in Beloved | 第36-38页 |
| ·The Voice of the Marginalized | 第38-44页 |
| ·Pilate excising her own will in Song of Solomon | 第38-40页 |
| ·Sethe claiming ownership of her children in Beloved | 第40-44页 |
| Chapter Three WAYS OF EXPRESSION | 第44-52页 |
| ·Magic Realistic Elements | 第44-49页 |
| ·Myth in Song of Solomon | 第44-47页 |
| ·Ghost in Beloved | 第47-49页 |
| ·Fragmented Writing | 第49-52页 |
| ·Fragmented characters | 第49-50页 |
| ·Fragmented narrative | 第50-52页 |
| Chapter Four CONCLUSION | 第52-57页 |
| ·Post-colonial Settings | 第52-53页 |
| ·Reconstruction of History | 第53-54页 |
| ·Feminist Voice | 第54-55页 |
| ·Magic Realistic Elements and Fragmented Writing | 第55-57页 |
| REFERENCES | 第57-62页 |
| 附录: 作者在攻读硕士学位期间发表的论文 | 第62页 |
