| Acknowledgements | 第1-5页 |
| Abstract (English) | 第5-7页 |
| 摘要 | 第7-11页 |
| Chapter One Introduction | 第11-19页 |
| ·A. S. Byatt and Her Literary Achievements | 第11-13页 |
| ·A Brief Introduction to Possession | 第13-15页 |
| ·A Literature Review | 第15-17页 |
| ·The Significance of This Study | 第17-19页 |
| Chapter Two The Theoretical Framework of the Thesis | 第19-23页 |
| Chapter Three The Writing Techniques of Features of the Victorian Traditional Novel in Possession | 第23-35页 |
| ·The Structure and Plot Archetypes | 第24-28页 |
| ·The Structural Archetypes of Possession | 第26-27页 |
| ·The Plot Archetypes of Possession | 第27-28页 |
| ·The Traditional Feature of the Narrative Strategy in Possession | 第28-31页 |
| ·The Vividly-Portrayed Characters, the Complete Plot and the Explicit Theme | 第31-35页 |
| ·The Vividly-Portrayed Characters | 第32-33页 |
| ·The Complete Plot and the Explicit Theme | 第33-35页 |
| Chapter Four The Writing Techniques of Features of the Postmodernist Novel in Possession | 第35-54页 |
| ·Intertextuality: The Metaphoric Intertextual Relations of the Texts | 第35-43页 |
| ·Quotation | 第37-39页 |
| ·Parody | 第39-43页 |
| ·Short circuit: The Coexistence of the Details of Real History and of Imaginary History | 第43-45页 |
| ·Collage: The Combination of Various Literary Forms | 第45-48页 |
| ·Carnivalesque Quality: Multi-Voicedness and Polyphonic Features of Possession | 第48-54页 |
| ·The Coexistence of and the Connection between Different Historical PeriodsThe Features of Narrative Structure in Possession | 第50-52页 |
| ·The Narration in Multi-Angles of View | 第52-54页 |
| Chapter Five Conclusion | 第54-59页 |
| Bibliography | 第59-62页 |
